Singer/Songwriter

Two of Canada’s greatest roots singer-songwriters have finally done what everybody’s wanted — heck, what they’ve wanted — for years. Dave Gunning and J.P. Cormier are releasing their first album together, called Two. Great friends, frequent collaborators, co-writers and touring partners, the pair has been talking about this album since pretty much the day they met. Now it’s here, and it’s everything fans hoped and dreamed it would be. The album is called Two because that’s what it is, just the two of them. “We wanted to keep it simple and honest so we essentially made a 4-track recording, just two guitars and two vocals. Limiting ourselves this way actually helped inspire the arrangements and the performances. It forced us to dig a little deeper.”, says Gunning. “A lot of artists like us feel compelled to put these massive productions together, and we said we’re not going to do that,” adds Cormier. “We’re going to make this record be that large with only two instruments and two voices. And we did that.” Two is made up of everything the duo excels at. There are new collaborations between the two writers (Brothers, Home To Mary), new arrangements of antique folk numbers (Johnny Armstrong, Katie o’ the Gowrie), and some tasty, surprising covers (Never Picked Cotton, Stompin’ Tom’s Songbird Valley). Every song had to meet their very high, combined standards. “We didn’t take it lightly,” confirms Gunning. “We really put our heart into it.”

Singer, songwriter, multi-instrumentalist, and producer Royal Wood has established himself as a true musical talent. Since being proclaimed “Songwriter of the Year” by iTunes, Wood has continued to evolve and hone his musical craft – maintaining an unmistakable identity while uncovering and reinventing his sound.

Royal has two albums that have debuted in the Top 30, multiple JUNO nominations, a 5-time Canadian Folk Music Award-nominee, and a #1 added song at Hot AC radio. His songs have been heard on high-profile sync placements like Grey’s Anatomy, and Private Practice.

His career finds him headlining world-class venues like Massey Hall and Roy Thompson  Hall in Toronto, The National Arts Centre in Ottawa, and The Winspear Centre in Edmonton. It also finds him supporting artists like Bonnie Raitt andDavid Gray on their national tours.

Royal Wood hasn’t let the pandemic slow him down. He and his wife Alison had their first child Henry John Royal. He released his “Live at Massey Hall” album on Jan 15th, 2021, and headlined live streams with several symphonies including Kitchener-Waterloo Symphony and the Niagara Symphony in St. Catharines.

Now he is wrapping up his busy year by recording his new full studio album remotely in Toronto with Montreal-based producer Marcus Paquin (The National, Arcade Fire). The album features songs co-written with the powerhouse Linda Perry (Adele, Alicia Keys) and UK phenom Jamie Scott (Ed Sheeran, Justin Bieber).  The new album will be released in Fall 2022 and will coincide with a national headline tour with dates that already include the National Arts Centre in Ottawa and Massey Hall in Toronto.

Singer, songwriter, multi-instrumentalist, and producer Royal Wood has established himself as a true musical talent. Since being proclaimed “Songwriter of the Year” by iTunes, Wood has continued to evolve and hone his musical craft – maintaining an unmistakable identity while uncovering and reinventing his sound.

Royal has two albums that have debuted in the Top 30, multiple JUNO nominations, a 5-time Canadian Folk Music Award-nominee, and a #1 added song at Hot AC radio. His songs have been heard on high-profile sync placements like Grey’s Anatomy, and Private Practice.

His career finds him headlining world-class venues like Massey Hall and Roy Thompson  Hall in Toronto, The National Arts Centre in Ottawa, and The Winspear Centre in Edmonton. It also finds him supporting artists like Bonnie Raitt andDavid Gray on their national tours.

Royal Wood hasn’t let the pandemic slow him down. He and his wife Alison had their first child Henry John Royal. He released his “Live at Massey Hall” album on Jan 15th, 2021, and headlined live streams with several symphonies including Kitchener-Waterloo Symphony and the Niagara Symphony in St. Catharines.

Now he is wrapping up his busy year by recording his new full studio album remotely in Toronto with Montreal-based producer Marcus Paquin (The National, Arcade Fire). The album features songs co-written with the powerhouse Linda Perry (Adele, Alicia Keys) and UK phenom Jamie Scott (Ed Sheeran, Justin Bieber).  The new album will be released in Fall 2022 and will coincide with a national headline tour with dates that already include the National Arts Centre in Ottawa and Massey Hall in Toronto.

NOTE TO TICKET PURCHASERS:

CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS The young Australian virtuoso recently described as ‘the finest guitar player of this generation’ brings his tour back to Canada for the first time in three years!

One reviewer recently wrote “Daniel Champagne exudes a natural ease on stage, as he sings poignant lyrics and beautifully crafted melodies that invariably whisk the heart up with grand romanticism. Coupled with an exhilarating guitar talent that transcends mere acoustic playing to replicate a whole band, Champagne is just magical”

The story goes that the young singer-songwriter and one of a kind guitar virtuoso first picked up his instrument of choice as a 5-year-old following in the footsteps of a musical father. He began writing songs at 12, training classically throughout his teens and performing wherever he could, honing his craft and developing the dynamite live show that he is renowned for today. At 18 he left school, turned professional and hit the road without looking back.  The following decade has seen him release 5 studio albums, tour relentlessly around the globe with upwards of 300 shows per year, play some of the biggest festivals under the sun and share stages with the likes of Tommy Emmanuel, INXS, John Butler, Lucinda Williams, Ani DiFranco, Judy Collins and Rodrigo y Gabriela. Daniel is now regarded as a leading light in acoustic music, with a firm reputation for dropping jaws, making crowds buzz and breaking guitars wherever he goes!

press

“The word Prodigy seems to entirely fall short of this soft-spoken young man’s skills, he coaxes sounds and melodies out of his instrument that literally drop jaws.” The Calgary Herald, CANADA “Today I saw the future of Folk – Festival goers flocking in the thousands towards the main stage to witness a young musical phenomenon from Australia dish out an absolute show-stopper.” The Firefly Column, USA “Daniel Champagne is a crossroads. Fusing the strong traditions of Blues, Folk and other roots art with pop showmanship and admirable lyrical ability. I firmly believe that he will become an ambassador for roots music in a time where it desperately needs representation.” The Indie Blender, CANADA “reinventing roots guitar” Rhythms Magazine, AUSTRALIA “Watching Daniel Champagne perform is a once in a lifetime experience. He is a true prodigy that plays like no one else could possibly play unless they spent at least two lifetimes studying the art.” BW Review, NEW ZEALAND  ‘Daniel Champagne exudes a natural ease on stage, as he sings poignant lyrics and beautifully crafted melodies that invariably whisk the heart up with grand romanticism. Coupled with an exhilarating guitar talent that transcends mere acoustic playing to replicate a whole band, Champagne is just magical’ Themusic.com.au, AUSTRALIA

NOTE TO TICKET PURCHASERS: CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS

MURRAY McLAUCHLAN, CINDY CHURCH, MARC JORDAN and IAN THOMAS

ARE

LUNCH AT ALLEN’S Lunch At Allen’s is a musical powerhouse comprising four remarkable Canadian talents: Murray McLauchlan, Cindy Church, Marc Jordan and Ian Thomas. As individuals, they have written for or sung on over 25,000,000 CDs, penning hits for Josh Groban, Chicago, Bonnie Raitt, America, Santana, Cher and Rod Stewart, as well as Murray’s Farmer’s Song, Marc’s Marina Del Rey and Ian’s Painted Ladies, just to name a few. These three artists have come together adding the incredible voice of Cindy Church (Quartette, Great Western Orchestra) to form Lunch At Allen’s. Attending their stage show is to embark on an intimate musical journey replete with laughter and personal anecdotes, familiar favourites and new material, fashioning an unforgettable evening’s entertainment …from their hearts …to your soul.   “You would be hard pressed to find another Canadian ensemble with more collective depth of influence over Canada’s musical landscape than Lunch At Allen’s.” - The Beat Magazine

NOTE TO TICKET PURCHASERS: CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS

MURRAY McLAUCHLAN, CINDY CHURCH, MARC JORDAN and IAN THOMAS

ARE

LUNCH AT ALLEN’S Lunch At Allen’s is a musical powerhouse comprising four remarkable Canadian talents: Murray McLauchlan, Cindy Church, Marc Jordan and Ian Thomas. As individuals, they have written for or sung on over 25,000,000 CDs, penning hits for Josh Groban, Chicago, Bonnie Raitt, America, Santana, Cher and Rod Stewart, as well as Murray’s Farmer’s Song, Marc’s Marina Del Rey and Ian’s Painted Ladies, just to name a few. These three artists have come together adding the incredible voice of Cindy Church (Quartette, Great Western Orchestra) to form Lunch At Allen’s. Attending their stage show is to embark on an intimate musical journey replete with laughter and personal anecdotes, familiar favourites and new material, fashioning an unforgettable evening’s entertainment …from their hearts …to your soul.   “You would be hard pressed to find another Canadian ensemble with more collective depth of influence over Canada’s musical landscape than Lunch At Allen’s.” - The Beat Magazine

At 56, Canada’s foremost well-heeled troubadour has made a most unlikely discovery: domestic bliss. All it took, it turns out, was leaving the city he loved. Following 30 years as an emblem of Toronto’s west end, Ron Sexsmith reluctantly uprooted to the serene hamlet of Stratford, Ontario, and the melodic, playful, theatrically vivacious Hermitage came gushing out. “Almost immediately after arriving here I just felt this kind of enormous stress cloud evaporate and all these songs started coming,” recalls Sexsmith. “I’d walk along the river every day into town and feel like Huckleberry Finn or something. It had a really great effect on my overall state of being.” This new zen can be heard from the first moments of Kinks-esque album opener, “Spring of the Following Year,” as the serene sound of birds situate the listener into Sexsmith’s state of grace. “We'd moved in the winter time and I was imagining how pretty it was going to be in the spring,” he explains. “We have this sort of idyllic kind of existence -- we have bunnies in the yard and are surrounded by trees on all sides, so we get tons of birds. Every morning I hear these Cardinals and we had a duck in the yard; I'd never really noticed birds in Toronto.” It’s not like he was planning to write his 16th long player as soon as he arrived, he adds. After all, Sexsmith was already quite busy turning his first novel, Deer Life, into a perspective musical. But when melodies as infectious as the Chi-Lights-inspired “You Don’t Want to Hear It” or the ear-worm inducing “Lo and Behold” entered his mind, he had to get them on record. Adding his signature mischievously astute word play (in “Dig Nation,” for example) to ground the album firmly in the Sexsmith oeuvre. Even the album’s title is a coy subversion of the 15 time Juno nominee’s own expectations upon arriving in Justin Bieber’s hometown. “I felt I'd reached the age where I could be a hermit finally, but it didn't really work out that way,” he laughs. Further reflecting Sexsmith’s new confidence, Hermitage is the first album on which he played nearly all the instruments, an idea he credits to producer and longtime drummer Don Kerr. “Don said ‘Why don't you make one of those sort of Paul McCartney-type records?’ and it's like a light bulb went on over my head,” he says. “That had never occurred to me.” The result is the songwriter’s most self-assured collection, still charmingly subtle yet increasingly full of musical vigor, as on “Chateau Mermaid,” an ode to his own Stratford Graceland, or the surprisingly hopeful “Small Minded World,” (originally penned for the Adams Family film), in which Sexsmith croons, Oh now don’t feel blue ‘cos they don’t get you, you’ll win this small minded world. “I think it's a very upbeat album, lyrically,” he confirms. “It’s reflective of the sort of peacefulness that I'd recently felt. I'm getting more comfortable in my own skin.”  

CMJustice is the stage name of Canadian pop/rock singer, lyricist and producer Colton Moore, whose emergence into the music scene with his July 2021 studio EP "BLOOD MEMORY ACT 1: The Journey" being well received by listeners, noting the emotionally resonate vocals, prolific imagery and intensely deep yet intimate musical arrangements. His single from that EP "Don't Need You" has made radio play on CBC along with a featured article spotlighting his indigenous artistry.

Graduate of Fanshawe College's "Music Industry Arts" program, awarded with the "Artist Development" and the "Karl Nathan Staat" scholarship awards, Colton's story is one of resiliency, dedication and passion and is currently being told through his EP and will continue with his upcoming projects.

At 17 years old, on one of the coldest nights of December 2017, he ran away from his family, who at the time were homeless, taking shelter in a hotel room thanks to financial assistance from a local Christian group. Colton's escape came after a heartbreaking discovery that both of his parents were drug addicts and this addiction was the cause for his 3 younger siblings and him to be living in unstable, terrifying circumstances. Colton often states he left everything behind that night; "Whoever I was back in 2017 died on the night I ran away"

Welcome to the Aeolian Phoenix Sessions

The Aeolian Phoenix Sessions take centre stage... in the comfort of your own home. Every month we premier at least four productions recorded at Aeolian's studios or in the artist's home. The Aeolian Phoenix Sessions are intended to provide patrons with a cross-section of the music going experience. From classical to jazz, rock to country, and bluegrass to folk, the Sessions aim to bring music back into your home and heart. This month... featuring:

• Riseup TV
• CM Justice/colton  moore
• swagger
• john d. Huston's a christmas carol
• new year's eve with sarah smith

Interested in one show only? Trust us: you'll like what you see. Try the Phoenix Sessions all month and experience a few productions that you might never have seen in person. Our goal was to reignite live music and get artists on stage, technicians behind the soundboard and our patrons on their feet listening to extraordinary talent in extraordinary times.

Terms and Conditions

Membership to the Phoenix Sessions is $20 per month (automatically recurring) and you select the productions you wish to enjoy. Though membership renews automatically, patrons must validate their membership number every month to receive an access code for each new set of productions by email. This process is not automatic. Patrons will receive their first access code immediately upon registration. An access code is only good for one calendar month. Validation instructions are contained in the Membership tab on this page, in our weekly newsletter and in the monthly rollover announcement sent by the Aeolian Box Office. We do not have a multi-viewer pass. If you plan to safely watch with friends or family, please consider donating to further offset the costs associated with these productions. Tickets to individual productions are not available. If you do not intend to subscribe for longer than one month, refunds will not be provided to patrons who forget to cancel their membership or who have not read the terms and conditions: membership renewal is automatic every 30 days. This information is noted on every ticketing page, on event pages and marketing, on event posters and in our weekly newsletter. It is important to read information carefully before joining so as to not misunderstand how membership works. Upon registration and after monthly validation, you will receive a confirmation email including a link that you will use each time you wish to view a performance. Save that link… or follow instructions at www.aeolianhall.ca/phoenix to receive it again. Shows will be available on the date and time specified on Aeolian's website. PRODUCTIONS ARE AVAILABLE FOR A MAXIMUM OF TWO WEEKS AFTER PREMIER. IF YOU ARE PURCHASING MORE THAN 30 DAYS BEFORE THE MONTH BEGINS, YOU WILL BE BILLED EVERY 30 DAYS AS A RECURRING MEMBER. IF YOU ARE SPECIFICALLY INTERESTED IN AN INDIVIDUAL MONTH, PLEASE PURCHASE  YOUR PASS ON FIRST OF THE MONTH. Payment is final. No refunds will be offered.

Chantal Kreviazuk – one of Canada’s most accomplished songwriters and recognizable voices –released her eighth studio album, “Get to You,” this summer. Heralded by the title track and first single, the album features 11 songs, all written and produced by Chantal with Dylan Wiggins. “This album means so much to me because it has a positive message throughout about self-love, acceptance and perseverance,” says Chantal. “It’s also the album I created the most independently without outside influence. It’s my essence of recording at the moment and for that I am so proud and happy.” The choice to proceed with the release of an album during a global pandemic was an easy one for Chantal. “The wonderful thing about music is that it is always welcomed and needed,” she says. “In times of crisis, it offers solace and comfort. Without question, now is the time to release music.” Chantal Kreviazuk is a platinum-selling, three-time Juno Award-winning artist from Winnipeg. In 2016, she returned with her sixth album "Hard Sail" after a nearly seven-year break from recorded music. During that time, she was focused on raising her three sons with husband Raine Maida, as well as her other musical passion, crafting songs. Chantal has written for Drake, Pitbull, Kendrick Lamar, Britney Spears, Christina Aguilera and Josh Groban and countless others. A holiday album - “Christmas Is A Way Of Life, My Dear” – followed in 2019, and a brand new album “Get To You” was released this summer. In 2014, Chantal and Raine became members of the Order of Canada, recognizing their efforts to raise awareness and support for numerous causes including human and animal rights, mental health, education and the environment. Chantal has been an ambassador to War Child for nearly two decades and one of the organization’s founding artists. Raine and Chantal released their first collaborative album together as MOON VS SUN, "I’m Going to Break Your Heart," as well as an accompanying documentary, earlier this year.

COVID PREPAREDNESS

OUR COMMITMENT TO YOU Immunization and Safety Measures The Aeolian Hall follows best practices in safety and immunization for all employees, volunteers, patrons and guests who participate in our programming or enter The Aeolian or its buildings. Our immunization policy – as well as decisions on social distancing, masking, etc. – are guided by legislation of the Province of Ontario and recommendations of the Middlesex London Health Unit. Due to the changing nature of the environment and the resultant public health policy changes, our policy is subject to change at any time without notice. Our immunization policy and safety measures can be found online at: COVID POLICY and SAFETY MEASURES

Chantal Kreviazuk – one of Canada’s most accomplished songwriters and recognizable voices –released her eighth studio album, “Get to You,” this summer. Heralded by the title track and first single, the album features 11 songs, all written and produced by Chantal with Dylan Wiggins. “This album means so much to me because it has a positive message throughout about self-love, acceptance and perseverance,” says Chantal. “It’s also the album I created the most independently without outside influence. It’s my essence of recording at the moment and for that I am so proud and happy.” The choice to proceed with the release of an album during a global pandemic was an easy one for Chantal. “The wonderful thing about music is that it is always welcomed and needed,” she says. “In times of crisis, it offers solace and comfort. Without question, now is the time to release music.” Chantal Kreviazuk is a platinum-selling, three-time Juno Award-winning artist from Winnipeg. In 2016, she returned with her sixth album "Hard Sail" after a nearly seven-year break from recorded music. During that time, she was focused on raising her three sons with husband Raine Maida, as well as her other musical passion, crafting songs. Chantal has written for Drake, Pitbull, Kendrick Lamar, Britney Spears, Christina Aguilera and Josh Groban and countless others. A holiday album - “Christmas Is A Way Of Life, My Dear” – followed in 2019, and a brand new album “Get To You” was released this summer. In 2014, Chantal and Raine became members of the Order of Canada, recognizing their efforts to raise awareness and support for numerous causes including human and animal rights, mental health, education and the environment. Chantal has been an ambassador to War Child for nearly two decades and one of the organization’s founding artists. Raine and Chantal released their first collaborative album together as MOON VS SUN, "I’m Going to Break Your Heart," as well as an accompanying documentary, earlier this year.

COVID PREPAREDNESS

OUR COMMITMENT TO YOU Immunization and Safety Measures The Aeolian Hall follows best practices in safety and immunization for all employees, volunteers, patrons and guests who participate in our programming or enter The Aeolian or its buildings. Our immunization policy – as well as decisions on social distancing, masking, etc. – are guided by legislation of the Province of Ontario and recommendations of the Middlesex London Health Unit. Due to the changing nature of the environment and the resultant public health policy changes, our policy is subject to change at any time without notice. Our immunization policy and safety measures can be found online at: COVID POLICY and SAFETY MEASURES