Music

Denise Pelley

Denise Pelley’s A Jazzy Christmas features “London’s First Lady of Jazz” and her top-notch ensemble:  Stephen Holowitz • piano & musical director; Mitch Tyler • bass; Greg Mainprize • drums; and Paul Stevenson • trumpet.  TD Sunfest audiences will be treated to a stocking full of Christmas favourites like Winter Wonderland, Driving Home For Christmas, Carol of the Bells/My Favourite Things, 2000 Miles, Jingle Bells, and Please Come Home For Christmas.

A portion of the proceeds from this concert will support Canadian Aid for Southern Sudan.  It’s a charity near and dear to Denise Pelley’s heart.  Over the years, CASS has raised money to free slaves, build schools, send children to school, provide medical supplies, support women's groups, buy goats for families, and introduce a clean water project.  In January 2018, Denise will make her eleventh trip to South Sudan with ten other team members.  Her main role as a CASS volunteer is to help run a music & art camp for over 400 children.

Denise says, “These trips leave me with mixed emotions: love because I love the South Sudanese people and their strength; sadness as I see how they live with very little; happiness for they show their happiness with what little they have; hope that their lives will improve, that they stay strong and keep believing in themselves and a better future.”

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Denise Pelley arrived in the Forest City from Nova Scotia as an infant.  She became a professional singer after high school, when she joined a Michigan show band.

“We rehearsed and played almost every day,” she told The London Free Press. “We did everything from pop hits to R&B classics, Motown and funk.  It was a great experience that turned me into a professional. I learned how to pace myself.”

But two years on the road was enough.  Denise returned to London and gravitated toward jazz.  She performed for 2 ½ years in a legendary nine-piece house band at the old Bumpers club and later had a steady gig with pianist John Noubarian and bassist Darryl Stacey at the old 99 King St. venue.

As a blues, gospel and jazz singer, Denise has garnered numerous awards and performed with orchestras as far afield as Portugal and Germany.  But it was the 1998 jazz CD Trust The Moment that first won her national acclaim.  Among Denise’s later albums are Christmas from the Heart (2007), the gospel-flavoured I’m Home (2001), and Live At The Grand (2003), which was recorded at the iconic London theatre with a 12-piece band.  Denise has shared the stage with many great artists, including jazz trombonist Ray Anderson, gospel/blues vocalist Jackie Richardson, and world beat guitarist Jesse Cook.  Locally, she opened for Aretha Franklin at Budweiser Gardens, and has headlined for such diverse groups as Sunfest and the Karen Schuessler Singers.

This Renaissance woman also enjoys acting and has appeared at The Grand Theatre in the Fats Waller musical Ain’t Misbehavin’, Wang Dang Doodle (with the late Denis Simpson), and A Streetcar Named Desire.  In September 2004, Denise’s one-woman show, Jazzabel, premiered to sold-out audiences at The Grand’s McManus Theatre.  In October 2005, she took this hit musical to Washington, DC (the National Museum of Women in the Arts) and, in February 2006, to New York City (Urban Stages Theatre).

In 2008 & 2014, Denise was honored as Jazz Artist of the Year at the Jack Richardson London Music Awards and, in 2015, inducted into the London Music Hall of Fame.  In February 2009, the London Black History Committee presented her with the Black Community Achievement Award.

60
Aeolian Hall
Price
$25 Advanced $30 Doors
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London Concert Band

London Concert Band, Conductor Robert Kennedy, Associate Conductor Eric Heidenheim and Guest Conductor Donald Clark invite you to “Starburst 8: Spotlight on Youth” on Sunday, March 1 at 2 pm at Aeolian Hall.

Guest trumpeter is 11-year-old Rey Tao, featured in Big Easy Blues and Trumpets Wild.  We lift off with Fanfare for the Third Planet.  A Northern Legend describes for us Chippewa tales of the North Star.  We fly with The Circus Bee and Planes, march with The Vanished Army, are pushed in Scramble and teased with The Comic.

Tickets are $10, $5 for students and under age 10 free, available online, at Long & McQuade, Music Aid and 519-433-3385.

Join us for our 2020 vision Starburst concert!

 

30
Aeolian Hall
Price
$10 Adults $5 Students Under 10 years old FREE Available at Long & McQuade, Music Aid & at the door
Event type
London Concert Band

LONDON CONCERT BAND BEGINS NEW SEASON WITH EXOTIC SUGAR AND SPICE!

After a triumphant Canada 150 concert in June which celebrated all Canadians, both old and new, London Concert Band is embracing the world in our first performance of the 2017-2018 season, entitled “Sugar and Spice” and featuring guest bass baritone Chad Louwerse.

Rhythms and lush melodies from countries as diverse as The Netherlands, Iran and Japan will season the program along with more familiar kinds of music from closer to home. “New York 1927” and “Jumpin at the Swing Train” will sweeten your nostalgic streak, while composers such as Molookpour (Iran), Yagisawa (Japan), Padilla (Spain) and Piazzola (Argentina) will definitely provide all the spicy rhythms anyone’s heart could desire.

London Concert Band and conductor Robert Kennedy love bringing such a variety of musical styles to our audience. We guarantee toe-tapping beats and lots of wonderful tunes, both familiar and new – lots of sweetness and spice.

Please join us on Sunday, October 29 at 2 pm at Aeolian Hall, 795 Dundas St. Tickets are $10, $5 for students, under age 10 free, and are available from Long & McQuade, Music Aid, 519-433-3385 and at the door. Please join us for an afternoon of tasty delights.

30
Aeolian Hall
Price
$10 Adults | $5 Students | Under 10 years old FREE Available at Long & McQuade, Music Aid, and at the door |
Event type
London Concert Band

London Concert Band, Conductor Robert Kennedy and Associate Conductor Don Clark invite you to join the chase in Starburst 7:  Spotlight on Youth on Sunday, February 17 at 2 pm at Aeolian Hall.

In Light Cavalry, a troupe tries to unite a young couple;  Rhythm Dance relentlessly unwinds;  in As Tears Fall on Dawn’s New Light, a community rebuilds after a tornado;  March of the Trolls;  a hunt for elegance in Leroy Anderson’s Belle of the Ball;  and finally the ultimate chase in Catch Me if You Can, featuring guest saxophonist Adam Lamoureux.

Tickets $10, $5 for students, under 10 free, available from Long & McQuade, Music Aid, 519.433.3385 and at the door. Come join us for an afternoon of exciting musical pursuit.

30
Aeolian Hall
Price
$10 Adults $5 Students Under 10 years old FREE Available at Long & McQuade, Music Aid & at the door
Event type
London Concert Band

London Concert Band and Conductor Robert Kennedy are delighted to welcome you to Spring Has Sprung on Sunday, May 27 at 2 pm at the Aeolian Hall.

Special guests are well-known clarinetists Mark Enns, George Laidlaw and Gary McCumber.  Welcome spring with pieces featuring the clarinet, flute and trombone sections.  Enjoy nature with Loch Lomond and the Elements of earth, air, fire and water.  Jig around to Ants In My Pants, and Pie In The Face Polka, and finish with a medley from La La Land.

Tickets are $10, $5 for students, under age 10 free, available at Long & McQuade, Music Aid, 433-3385 and at the door.  Please join us as we celebrate.

30
Aeolian Hall
Price
$10 Adults $5 Students Under 10 years old FREE Available at Long & McQuade, Music Aid & at the door
Event type
London Concert Band

London Concert Band, Conductor Robert Kennedy, Associate Conductor Eric Heidenheim, and Guest Conductor Donald Clark welcome you to A Musical Solstice on Sunday, May 26 at 2 pm at Aeolian Hall.

This will be our hottest concert of the season, as we experience streaks of light in Sunburst; Aurora Borealis displays in Dance of the Spirits; and the play of light in Sunrise, Sunset.  Enjoy the colours of jazz and circus atmosphere in Chroma, and swing with Jitterbug.  Finally, cool down with Cool from West Side Story.

Tickets are $10, $5 for students, under age 10 free, available from Long & McQuade, Music Aid, 519-433-3385 and at the door.  Come join us as we fly close to the sun!

30
Aeolian Hall
Price
$10 Adults $5 Students Under 10 years old FREE Available at Long & McQuade, Music Aid & at the door
Event type
Genre
Monty Alexander

Tickets on sale SOON!

Fifty-five years after he moved to the United States from Kingston, Jamaica, his home town, pianist Monty Alexander is an American classic, touring the world relentlessly with various projects, delighting a global audience drawn to his vibrant personality and soulful message. His spirited conception is one informed by the timeless verities: endless melody-making, effervescent grooves, sophisticated voicings, a romantic spirit, and a consistent predisposition, as Alexander accurately states, “to build up the heat and kick up a storm.” In the course of any given performance, Alexander applies those aesthetics to repertoire spanning a broad range of jazz and Jamaican musical expression—the American songbook and the blues, gospel and bebop, calypso and reggae. Like his “eternal inspiration,” Erroll Garner, Alexander—cited as the fifth greatest jazz pianist ever in The Fifty Greatest Jazz Piano Players of All Time (Hal Leonard Publishing) and mentioned in Robert Doerschuk’s 88: The Giants of Jazz Piano—gives the hardcore-jazz-obsessed much to dig into while also communicating the message to the squarest “civilian.”

Born on D-Day, June 6, 1944, Alexander was playing Christmas carols by ear at 4, entertaining neighbors and relatives by 5, taking his first piano lessons at 6. He resisted formal instruction, but still, growing up in Kingston, absorbed all the musical flavors that comprise his mature sonic palette. “I soaked up everything—the calypso band playing at the swimming pool in the country, local guys at jam sessions who wished they were Dizzy Gillespie and Miles Davis, a dance band playing Jamaican melodies, songs that Belafonte would have sung,” he recalls. When Alexander was 9, his father, a Kingston merchant, brought him to hear and play for the legendary pianist Eddie Heywood. At 10, he saw Nat “King” Cole play at Kingston’s Carib Theater, the same venue where, at 13, he heard a concert featuring Louis Armstrong.

“I had one foot in the jazz camp and the other in the old-time folk music,” Alexander says. “One was not more valuable than the other. Boogie-woogie was important to me, too. I’d sit at the piano and think I was the Count Basie Orchestra or a rhythm-and-blues band. I automatically reached for anything I wanted to play on the piano, and just played it. It didn’t come with practicing. It came with playing, playing, playing all the time.”

By 14, Alexander began to display his skills in local clubs. Soon thereafter, he made his first recordings, both as leader of a group called Monty and the Cyclones, and as a sideman for such legendary producers as Ken Khouri (Federal Records), Duke Reade (Treasure Isle), and Clement Coxsone Dodd at Studio One. These early sessions for Federal, which Alexander describes as “not calypso music, but the beginning of Ska,” included such subsequently famous aspirants of the day as trombonist Don Drummond, tenor saxophonist Roland Alphonso and guitarist Ernest Ranglin.

But after moving to Miami with his mother in 1961, Alexander would sublimate Jamaican roots towards establishing a jazz identity. By 1963, he was ensconced in New York City, with a steady gig at Jilly’s, the eponymous West 52nd Street piano bar owned by Frank Sinatra’s close friend Jilly Rizzo. There, for the next four years, Alexander’s trio swung until the wee hours of the morning for Sinatra, a mix of celebrity entertainers, tough guys, thrill seekers, and such iconic jazzfolk as Miles Davis, Count Basie, Milt Jackson, and Roy Haynes. As the 1960s progressed, he also held regular gigs at Minton’s (the iconic Harlem lounge where bebop gestated) and at the Playboy Club, where he met and became friends with Quincy Jones. During these years, he also met Ray Brown and piano giant Oscar Peterson, who recommended Alexander to Hans Georg Brunner-Schwer, the proprietor of Germany’s MPS label, for which he made a dozen records between 1971 and 1985.

Meanwhile, Alexander continues to apply his creative, charismatic sensibility to the trio context, as demonstrated on Uplift and Uplift 2 (JLP), a pair of deep-swinging navigations of the American Songbook with Shakur on bass and Riley on drums on the former and either Clayton or Shakur on bass and either Hamilton or Frits Landesbergen on drums on the latter. It follows Alexander’s 2008 trio dates, Calypso Blues: The Music of Nat King Cole and The Good Life: Monty Alexander Plays the Songs of Tony Bennett both on Chesky. Also in 2008, Bennett tapped Alexander as the featured pianist on A Swinging Christmas, with the Count Basie Orchestra.

In August 2000, the Jamaican government designated Alexander Commander in the Order of Distinction for outstanding services to Jamaica as a worldwide music ambassador. In 2015, the great modern pianist Donald Vega released With Respect To Monty, which included his interpretations of seven Alexander compositions. Furthermore, 2016 will mark the seventh edition of the namesake Monty Alexander Jazz Festival in Easton, Maryland, for which he has served as Artistic Director and perennial performer every Labor Day weekend since 2010.

60
Aeolian Hall
Price
$40 Advanced $45 Doors
Event type
Genre
Barney Bentall

Singer/songwriter and musician Barney Bentall emerged on Canada’s music scene in the early 1980s, and has since enjoyed an illustrious and musically versatile career that has bred multiple platinum/gold-selling albums, twenty Top 30 charting radio singles, several acclaimed side projects, and inspired creative collaborations.  Nearly a decade prior to forming the Legendary Hearts, the Toronto-born/Calgary-native Bentall arrived in Vancouver in time for the emergence of new wave and formed Brandon Wolf, who released two EPs as well as a full length album before reforming into a 1960’s cover band called The Revengers.  Playing biker dances, hayrides, funerals and strip clubs in order to afford studio time at the now legendary Little Mountain Sound, the group worked with producer Bob Rock on the demos that would spur CBS Records to sign Bentall to a recording contract and release the group’s debut album as Barney Bentall and the Legendary Hearts.  The eponymous album garnered the group a JUNO Award, and went on to sell over 100,000 copies; achieving Platinum status.  Singles such as “Come Back to Me”, “The House of Love (Is Haunted)” and “Something to Live For” became radio playlist staples during the close of the decade.

On the heels of their successful major label debut, Bentall and the Legendary Hearts followed up with studio albums Lonely Avenue (1990), Ain’t Life Strange (1992) and Gin Palace (1995).  All achieved Gold status, and produced several top ten radio singles including ”Do Ya”, “Crime Against Love”, “Life Could Be Worse” and “Doin Fine”.  In tandem, the group maintained a rigorous touring schedule which averaged over 150 performances per year.

In 1997, the group returned to the studio to record what would be their final album to date, Til Tomorrow.  Following the last performance of their Canadian tour to support the album, Bentall and the Legendary Hearts went on hiatus with each member continuing on with separate musical endeavors.

Nearly a decade later, Barney Bentall would return to the studio on his own to record what would be his first album in ten years, the JUNO Award- nominated Gift Horse.  Recruiting producers John Ellis and Blue Rodeo frontman Jim Cuddy, the album was released to great critical acclaim by True North Records, who have since released Bentall’s albums The Inside Passage (2009), and Flesh And Bone (2012).

Between recording projects and touring, in 2007 Barney Bentall launched what is now known as The Cariboo Express tour.  This Old West-inspired troupe is helmed by Bentall and features a regular cast of some of Canada’s finest roots and country musicians who host a one-of-a-kind fundraising event in cities throughout Western Canada each year to support local charities.  To date The Cariboo Express has raised $1 million in charitable funds.  Bentall is also a member of the JUNO Award-nominated bluegrass group The High Bar Gang, is one-third of trio Bentall Taylor Ulrich (with Tom Taylor and Shari Ulrich) and occasionally reunites with the Legendary Hearts for select tour dates.

This coming Fall 2017, Bentall will release his next studio recording The Drifter and The Preacher via True North Records.

60
Aeolian Hall
Price
$30 Advanced $35 Doors
Event type
Genre
Deni Gauthier

“Settle in for the ride – it’s gonna get moody.”
With that playful warning, singer/songwriter Deni Gauthier introduces his ambitious new collection of songs and stories, Passenger.

Self-produced in Gauthier’s St. Thomas, Ontario Studio, Passenger is a concept album that weaves Deni’s musings on life, love, and relationships together with stories about characters dealing with change, both positive and negative.
“You live and die a passenger,” Deni explains. “But you can live such a cool and meaningful life. That’s what this record is about.”

Deni is known for his lush but understated songwriting and singing style. He makes effective use of his looping station, as well as ambient guitar noises that add texture to his often haunting melodies. Like his other CDs, Passenger is an ode to beauty and restraint, with insightful lyrics drawn from real experience.

“I wrote these songs with an old campfire guitar, walking up and down the street watching my kids last summer,” he says. “Lyrically, they’re definitely the strongest songs I’ve written.”

Deni’s previous full-length CDs include Quiet Town (2014), i (am) hope (2012), and Man About Town (2011). His songs have been played frequently on CBC Radio 1, and singles including Into the West and All I Really Want have reached top-10 status on radio stations across Canada. He has been nominated for many awards, including several prestigious Jack Richardson Music Awards in the Contemporary Singer/Songwriter category. He tours often, and has shared with the stage with artists including Jason Collett, Ron James, Linda McRae, Irish Maythen The 77s, Craig Cardiff, Kerosene Halo, and many others.

https://www.youtube.com/watch?v=8cYtD_Bp0PM

Sarah MacDougal

Described by the magazine Rootstime in Belgium as One of the greatest talents of our era, and listed as the 2nd best gig by the major UK newspaper The Independent, becoming the #1 most played artist on Canadian Galaxie Folk/Roots radio, Western Canadian Music Award winning artist Sarah MacDougall is getting known for her honest and poetic songs, passionate performances, and unique voice. Born in Sweden, Swedish magazine Nöjesguiden declared her One of Swedens best singer/songwriters.

Since the release ofaward-winning The Greatest Ones Alive in 2011, Sarah has been touring Canada and Europe endlessly, taking time to work on songs and record between tours. Last winter, she hunkered down under the Northern Lights in Whitehorse and put the final touches on the sonically rich album which was to become Grand Canyon. The album, co-produced by Sarah and Caleb Stull (Field Study, Dominique Fricot, Language Arts), which was recorded in Toronto and Vancouver, features 8 songs and guest appearances from Erika Angell (Thus:Owls), Rose Cousins, Jesse Zubot (Tanya Tagaq, Dan Mangan), Peggy Lee, and Leah Abramson (Abramson Singers). Stepping outside of traditional folk and flirting with sounds that could have come from The Postal Service or Kate Bush, Grand Cany on keeps the acoustic guitar but infuses the sound with heavier drums and richly textured strings and synths.

The songs are about identity, love, fear, hope, growing up, rootlessness, forgiveness. They are written from the point of view of the hopeful outsider, trying to figure out their place and make sense of the world. Grand Canyon sees Sarah challenging herself and pushing new boundaries musically and sonically, and it is an album that will surely see Sarah reach new levels in her career.

Sarah has played festivals such as Iceland Airwaves, Winnipeg Folk Festival, The Great Escape, and she will continue to tour and write music throughout 2017 / 2018.

60
Aeolian Hall
Price
$25 Advanced $30 Doors
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Genre
Tiz Mcnamara

Tiz McNamara began singing and writing songs in2013 after dropping a piano on his foot he was left unable to drum for over a year so he began playing the guitar and writing his on song. His debut single went on to be streamed more than 2.5 million times on Spotify as well as featuring in UK TV Shows Emmerdale ,Hollyoaks and received major praise from BBC Radio in the UK.

His live highlights include supporting Brit award winner James Bay, as well as sell out shows in London, Liverpool, Cork and Dublin. This summer Tiz reinforced his growing stature with performances at Irelands four major music festivals, Electric Picnic, Indiependence, Sea Sessions and Castlepalooza.

In the past he also performed vocals on the UK Christmas No.1 single ‘He Ain’t Heavy, He’s my brother’ alongside some musical legends such as Sir. Paul McCartney, Robbie Williams and Shane McGowan.

“Rarely has an EP given off such prominent real love, until greeted with this radiant bestowal; truly mind-altering.” – GETINTOTHIS, Liverpool (EP review).

“Wow, I don’t know what to say, it’s hard to find any words when something over powers you like that, amazing. I am so glad you starting writing songs” – Gaby Roslin,

“Wondrously numbing, Tiz McNamara has the ability to serenade a million sinking ships with his soothing vocal flicks and joyously tasteful guitar strokes, invading imaginations with the songwriter’s Irish heritage.” – Lauren Jones, Liverpool, Echo.

https://www.youtube.com/watch?v=9ZOQGpAgfFE

Myles Goodwyn

The Aeolian kicks off it’s 2017-18 Jazz Series with a whimsical, jazz-walk through the mellow season.

Ah Autumn!! Pale yellow mornings where the mist burns slowly into the day, the smoky evenings, the crisp air, that so-direct sun. Think of harvest, reflection, refocusing, gathering up the fruits of your work, giving thanks, preparing for winter.

Or maybe not. What about back to the routine, packing lunches, taking the kids to practice and digging out those sweaters and jackets?

Jenn Thorpe and Sonja Gustafson brought us their own take on their favourites and schtick in their Double Lives concert two years ago. Their on-stage chemistry and sheer talent for lifting lyrics off the page made that night a stand-out.

Now they’re back with their take on all-things autumn. From sublime to hilarious - where will they go with this? What sacred cows and chit-chat might come up?

Come enjoy the perspective on September 27th. Jennifer Thorpe and Sonja Gustafson backed by Bryan Gloyd on piano and Peter Hysen on bass.

Entirely cozy.

60
Aeolian Hall
Price
$25 Advanced $30 Doors $20 Student/Senior
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Genre