Rock

Hells Bells: Canada's Longest Touring Tribute to AC/DC
NOTE TO TICKET PURCHASERS:
CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS Hells Bells were formed in 1994 and have performed over 1500 shows across Canada and the US. When not touring the nation, they continue to rock the concert halls of Ontario on a regular basis. The show is a MUST SEE, with visual effects and stunning reproduction of the music and attitude of AC/DC. Solid tempos, tuned to concert pitch and, note for note reproduction are all part of the performance that set this band apart from all the other tribute acts. Focusing on the accuracy of each and every performance while hanging out in Hell is the mission statement. The show is truly the ultimate tribute to AC/DC.

THIS IS HELLS BELLS!

45
Aeolian Hall
Price
$40 Advanced $45 Doors PLEASE SEE CURRENT COVID POLICY BEFORE RESERVING SEATS
Event type
Due North Concerts Present.. Grace 2 - The Music of the Tragically Hip (Friday)

Like millions of Hip fans across Canada, the music of the Tragically Hip was the soundtrack to our lives. Every show we play is an opportunity for us to connect with other Hip fans, bring back great memories and honor Gord Downie’s legacy. We don’t imitate. We celebrate. We are professional musicians who take pride in putting on the ultimate celebration of Canada’s favorite band but it’s our audience’s enthusiasm and participation that make our shows such a great experience. So come join us! Come sing along at the top of your lungs to all your favourite Hip songs and let us hear what the music of The Tragically Hip means to you.

The Tragically Hip - Always Celebrated. Never Duplicated.

60
Aeolian Hall
Price
$40 Advanced $45 Doors
Event type
Genre
Due North Concerts Present... Grace 2 - The Music of the Tragically Hip (Saturday)

NOTE TO TICKET PURCHASERS:

CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS

Like millions of Hip fans across Canada, the music of the Tragically Hip was the soundtrack to our lives. Every show we play is an opportunity for us to connect with other Hip fans, bring back great memories and honor Gord Downie’s legacy. We don’t imitate. We celebrate. We are professional musicians who take pride in putting on the ultimate celebration of Canada’s favorite band but it’s our audience’s enthusiasm and participation that make our shows such a great experience. So come join us! Come sing along at the top of your lungs to all your favourite Hip songs and let us hear what the music of The Tragically Hip means to you.

The Tragically Hip - Always Celebrated. Never Duplicated.

60
Aeolian Hall
Price
$40 Advanced $45 Doors PLEASE SEE CURRENT COVID POLICY BEFORE RESERVING SEATS.
Event type
Genre
Sold Out
Due North Concerts Present.. Grace 2 - The Music of the Tragically Hip (Friday)

NOTE TO TICKET PURCHASERS:

CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS

Like millions of Hip fans across Canada, the music of the Tragically Hip was the soundtrack to our lives. Every show we play is an opportunity for us to connect with other Hip fans, bring back great memories and honor Gord Downie’s legacy. We don’t imitate. We celebrate. We are professional musicians who take pride in putting on the ultimate celebration of Canada’s favorite band but it’s our audience’s enthusiasm and participation that make our shows such a great experience. So come join us! Come sing along at the top of your lungs to all your favourite Hip songs and let us hear what the music of The Tragically Hip means to you.

The Tragically Hip - Always Celebrated. Never Duplicated.

60
Aeolian Hall
Price
$40 Advanced $45 Doors PLEASE SEE CURRENT COVID POLICY BEFORE RESERVING SEATS.
Event type
Genre
It’s Too Late to Stop Now: The Music of Van Morrison

Born decades after Van Morrison was creating some of his most enduring music, singer-songwriter, Matt Weidinger, has a musical connection to the ’60s and ’70s, what he calls the golden age of record-making.

Anyone who’s seen him perform would agree with the “old soul” label, so it’s particularly fitting that he’s taking on the songs of an old soul master with his latest tribute to the music of Van Morrison.

It’ll be something of a retrospective of Van the Man’s extensive song catalogue, with a particular focus on the early stuff that was Weidinger’s introduction to Morrison’s brand of Celtic soul.

“I started listening to Van Morrison in high school, with Astral Weeks … and then Moondance,” he says, soon uncovering a treasure trove of musical offerings. “He’s got a huge catalogue. With Van Morrison, there’s just so much to see, so much to discover.”

Morrison has been prolific, with dozens of albums to his credit since 1967’s Blowin’ Your Mind! Fifty years on, in fact, he’s currently touring 2017’s Versatile, a collection of jazz standards and originals.

For Saturday night’s show, Weidinger’s put together a seven-piece band, including two horns to reflect the sound for which Morrison is known.

Weidinger’s own influences stem from the ’60s, as can be heard in both his vocals and his choice of music. Like Morrison, he began performing as a teen. For a relatively young performer, he’s already got more than a decade of experience under his belt that has earned him a solid following. In addition to singing and writing songs, he’s a multi-instrumentalist, equally at home on the piano, organ, guitar, bass and mandolin.

In preparation for the show, he’s had to dig deeper into Morrison’s music, developing an even greater appreciation for it … and banking some songs for future performances.

“Any time I can learn songs that I can put in my repertoire, add to the list, it’s great,” says Weidinger, adding such exercises help his own songwriting, providing a way to see words and music from a different perspective.

60
Aeolian Hall
Price
$40 Advanced $45 Doors
Event type
Genre
It’s Too Late to Stop Now: The Music of Van Morrison

For Saturday night’s show, Matt Weidinger has put together a seven-piece band, including two horns to reflect the sound for which Morrison is known. Weidinger’s own influences stem from the ’60s, as can be heard in both his vocals and his choice of music.

Like Morrison, he began performing as a teen. For a relatively young performer, he’s already got more than a decade of experience under his belt that has earned him a solid following. In addition to singing and writing songs, he’s a multi-instrumentalist, equally at home on the piano, organ, guitar, bass and mandolin.

Born decades after Van Morrison was creating some of his most enduring music, 29 year old Matt Weidinger, has a musical connection to the ‘60s and ‘70s, what he calls the golden age of record-making. Anyone who has seen him would agree with the “old soul” label, so it’s particularly fitting that he’s taking on the songs of an old soul master with his latest tribute to the music of Van Morrison

With sold out shows at Hughes Room (Toronto), Peter's Player's (Gravenhurst), Registry Theatre (Kitchener) to name a few... This show is one not to miss!

60
Aeolian Hall
Price
$40 Advanced $45 Doors
Event type
Genre
Lunch at Allen's
NOTE TO TICKET PURCHASERS: CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS

MURRAY McLAUCHLAN, CINDY CHURCH, MARC JORDAN and IAN THOMAS

ARE
LUNCH AT ALLEN’S Lunch At Allen’s is a musical powerhouse comprising four remarkable Canadian talents: Murray McLauchlan, Cindy Church, Marc Jordan and Ian Thomas. As individuals, they have written for or sung on over 25,000,000 CDs, penning hits for Josh Groban, Chicago, Bonnie Raitt, America, Santana, Cher and Rod Stewart, as well as Murray’s Farmer’s Song, Marc’s Marina Del Rey and Ian’s Painted Ladies, just to name a few. These three artists have come together adding the incredible voice of Cindy Church (Quartette, Great Western Orchestra) to form Lunch At Allen’s. Attending their stage show is to embark on an intimate musical journey replete with laughter and personal anecdotes, familiar favourites and new material, fashioning an unforgettable evening’s entertainment …from their hearts …to your soul.   “You would be hard pressed to find another Canadian ensemble with more collective depth of influence over Canada’s musical landscape than Lunch At Allen’s.” - The Beat Magazine
60
Aeolian Hall
Price
$65 Advanced PLEASE SEE CURRENT COVID POLICY BEFORE RESERVING SEATS
Event type
Lunch at Allen's
NOTE TO TICKET PURCHASERS: CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS

MURRAY McLAUCHLAN, CINDY CHURCH, MARC JORDAN and IAN THOMAS

ARE
LUNCH AT ALLEN’S Lunch At Allen’s is a musical powerhouse comprising four remarkable Canadian talents: Murray McLauchlan, Cindy Church, Marc Jordan and Ian Thomas. As individuals, they have written for or sung on over 25,000,000 CDs, penning hits for Josh Groban, Chicago, Bonnie Raitt, America, Santana, Cher and Rod Stewart, as well as Murray’s Farmer’s Song, Marc’s Marina Del Rey and Ian’s Painted Ladies, just to name a few. These three artists have come together adding the incredible voice of Cindy Church (Quartette, Great Western Orchestra) to form Lunch At Allen’s. Attending their stage show is to embark on an intimate musical journey replete with laughter and personal anecdotes, familiar favourites and new material, fashioning an unforgettable evening’s entertainment …from their hearts …to your soul.   “You would be hard pressed to find another Canadian ensemble with more collective depth of influence over Canada’s musical landscape than Lunch At Allen’s.” - The Beat Magazine
60
Aeolian Hall
Price
$65 Advanced PLEASE SEE CURRENT COVID POLICY BEFORE RESERVING SEATS
Event type
Blackie and the Rodeo Kings 25th Anniversary Tour
NOTE TO TICKET PURCHASERS: CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS The pandemic emerged as Blackie and The Rodeo Kings marked their 25th anniversary as a band with the release of King of This Town. They plan to pick up right where they left off, writing and releasing more music and hitting the performance stage as often as possible. Originally, Colin Linden, Stephen Fearing and Tom Wilson came together to record what was supposed to be a one-off tribute album to the great Canadian songwriter Willie P. Bennett. The result was High or Hurtin’: The Songs of Willie P. Bennett. The band had no plans to make a subsequent album but something unanticipated happened. “When we play together and sing together as Blackie and the Rodeo Kings. Something magical happens. We haven’t asked ourselves what it is all these years and we’re not going to start now” as Stephen Fearing describes it. Recognizing this special chemistry and the resulting joy of creating music together has brought Blackie and The Rodeo Kings back to stage and studio again and again. King of This Town is the band’s ninth release. “After each album, we are never certain we will get together to make another, but then something will happen and we are reminded of the joyride that is Blackie,” explains Tom Wilson. Twenty-five years in, while they still spend most of each year working on their individual projects, Blackie and the Rodeo Kings has organically evolved into one of the finest roots-oriented bands in North America. Tom Wilson sums up the Blackie and The Rodeo Kings journey. “25 years later, we’re still digging in for the sweet spots. Making friends with the ghosts of poets and harmonizing with the voices in fields and swinging for the fences”

COLIN LINDEN

Including every Blackie and The Rodeo Kings album, Colin Linden has produced over 100 albums. He has played as a guest musician on countless recording sessions. There are 159 pages of album credits that feature Colin Linden contributions listed at the collector site discogs.com He has played an integral role in the contributing songs and music direction to film and television. Colin served as the musical director for the live touring the cast of Nashville that featured the stellar Blackie and The Rodeo Kings rhythm section of John Dymond (bass) and Gary Craig (drums). His latest solo work was actual a duo release with Luther Dickenson entitled “Amour” on Stony Plain Records. Colin lives in Nashville. Colinlinden.com

STEPHEN FEARING

Stephen Fearing has been doing what he does best - Travelling. In 2016, Fearing moved back to Victoria BC where his career began on the West Coast in 1988 with the release of “Out To Sea”. Aside from moving across the country, has been a busy year with solo shows across Canada and quietly building a solid following in Europe and The UK. He has completed his 13th solo album “The Unconquerable Past” Stephenfearing.com

TOM WILSON

Last year Tom Wilson released his 4th album under his nom de plume LEE HARVEY OSMOND. The Album titled Mohawk references his journey and the story of his best selling memoir “Beautiful Scars” (Penguin Random House). He is focused on a follow up book and painting for his next art show. TomWilsononline.com  
60
Aeolian Hall
Price
$42 Advanced $47 Doors PLEASE SEE CURRENT COVID POLICY BEFORE RESERVING SEATS
Event type
Genre
Digging Roots

Digging Roots are a Juno-winning husband and wife music duo, Raven Kanatakta Polson-Lahache and Sho-Shona Kish, whose style blends folk-rock, pop, blues and hip hop with the traditional sounds of Indigenous music. Digging Roots has collaborated with Indigenous music giants like A Tribe Called Red, Kinnie Starr, and Tanya Tagaq.

Sho-Shona is Anishinabe, from Batchewana First Nation, but grew up mostly in Toronto. Raven is Anishinabe and Mohawk, from Winneway, Quebec, a small reserve where “everyone knows your name”. Raven and Sho-Shona both ended up in Ottawa, where they met in 2004. Raven’s family relocated to Canada’s capital city when he was 14, and Sho-Shona moved there for school.

A friend tuned Raven on to a new musician in town, Sho-Shona, and suggested they meet. Raven looked her up on one of his visits home, and the two hit it off right away. After talking for hours, he accompanied her to an audition she had for a slot in a music festival. They spontaneously decided to audition as a duo and booked the slot, planting the seed that would grow into Digging Roots.

They came from different backgrounds, but as Indigenous people, they both had experienced the common oppression and systemic racism in some way or another, which is reflected in their music. And, they fell in love. Two years later, they released their debut album, Seeds. The following year they won the Canadian Aboriginal Music Award for Best Group. Their second album, We Are, won the Juno Award for Aboriginal Album of the Year in 2010. The duo released a third album in 2014, For the Light, and are preparing to release their newest album, The Hunter & The Healer, on which their oldest son, Skye, plays the drums.

Having both been raised by activist parents at a time when Indigenous activism was on the rise, their music explores and raises awareness of the social injustices that still exist today. “Our activism is kind of in the way that we live, more than anything. It’s built on how we live as a family,” says Raven.

“Walking gently on the earth and being very mindful of the kind of parents we are. And looking at what seeds we’re planting for the future. That to me is the most powerful activism,” Sho-Shona adds. Raven and Sho-Shona live in Barrie, Ontario with their two sons.

Sold Out
Blackie and the Rodeo Kings 25th Anniversary Tour
NOTE TO TICKET PURCHASERS:
CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS The pandemic emerged as Blackie and The Rodeo Kings marked their 25th anniversary as a band with the release of King of This Town. They plan to pick up right where they left off, writing and releasing more music and hitting the performance stage as often as possible. Originally, Colin Linden, Stephen Fearing and Tom Wilson came together to record what was supposed to be a one-off tribute album to the great Canadian songwriter Willie P. Bennett. The result was High or Hurtin’: The Songs of Willie P. Bennett. The band had no plans to make a subsequent album but something unanticipated happened. “When we play together and sing together as Blackie and the Rodeo Kings. Something magical happens. We haven’t asked ourselves what it is all these years and we’re not going to start now” as Stephen Fearing describes it. Recognizing this special chemistry and the resulting joy of creating music together has brought Blackie and The Rodeo Kings back to stage and studio again and again. King of This Town is the band’s ninth release. “After each album, we are never certain we will get together to make another, but then something will happen and we are reminded of the joyride that is Blackie,” explains Tom Wilson. Twenty-five years in, while they still spend most of each year working on their individual projects, Blackie and the Rodeo Kings has organically evolved into one of the finest roots-oriented bands in North America. Tom Wilson sums up the Blackie and The Rodeo Kings journey. “25 years later, we’re still digging in for the sweet spots. Making friends with the ghosts of poets and harmonizing with the voices in fields and swinging for the fences”

COLIN LINDEN

Including every Blackie and The Rodeo Kings album, Colin Linden has produced over 100 albums. He has played as a guest musician on countless recording sessions. There are 159 pages of album credits that feature Colin Linden contributions listed at the collector site discogs.com He has played an integral role in the contributing songs and music direction to film and television. Colin served as the musical director for the live touring the cast of Nashville that featured the stellar Blackie and The Rodeo Kings rhythm section of John Dymond (bass) and Gary Craig (drums). His latest solo work was actual a duo release with Luther Dickenson entitled “Amour” on Stony Plain Records. Colin lives in Nashville. Colinlinden.com

STEPHEN FEARING

Stephen Fearing has been doing what he does best - Travelling. In 2016, Fearing moved back to Victoria BC where his career began on the West Coast in 1988 with the release of “Out To Sea”. Aside from moving across the country, has been a busy year with solo shows across Canada and quietly building a solid following in Europe and The UK. He has completed his 13th solo album “The Unconquerable Past” Stephenfearing.com

TOM WILSON

Last year Tom Wilson released his 4th album under his nom de plume LEE HARVEY OSMOND. The Album titled Mohawk references his journey and the story of his best selling memoir “Beautiful Scars” (Penguin Random House). He is focused on a follow up book and painting for his next art show. TomWilsononline.com  
60
Aeolian Hall
Price
$42 Advanced $47 Doors PLEASE SEE CURRENT COVID POLICY BEFORE RESERVING SEATS
Event type
Genre
Digging Roots

Digging Roots are a Juno-winning husband and wife music duo, Raven Kanatakta Polson-Lahache and Sho-Shona Kish, whose style blends folk-rock, pop, blues and hip hop with the traditional sounds of Indigenous music. Digging Roots has collaborated with Indigenous music giants like A Tribe Called Red, Kinnie Starr, and Tanya Tagaq.

Sho-Shona is Anishinabe, from Batchewana First Nation, but grew up mostly in Toronto. Raven is Anishinabe and Mohawk, from Winneway, Quebec, a small reserve where “everyone knows your name”. Raven and Sho-Shona both ended up in Ottawa, where they met in 2004. Raven’s family relocated to Canada’s capital city when he was 14, and Sho-Shona moved there for school.

A friend tuned Raven on to a new musician in town, Sho-Shona, and suggested they meet. Raven looked her up on one of his visits home, and the two hit it off right away. After talking for hours, he accompanied her to an audition she had for a slot in a music festival. They spontaneously decided to audition as a duo and booked the slot, planting the seed that would grow into Digging Roots.

They came from different backgrounds, but as Indigenous people, they both had experienced the common oppression and systemic racism in some way or another, which is reflected in their music. And, they fell in love. Two years later, they released their debut album, Seeds. The following year they won the Canadian Aboriginal Music Award for Best Group. Their second album, We Are, won the Juno Award for Aboriginal Album of the Year in 2010. The duo released a third album in 2014, For the Light, and are preparing to release their newest album, The Hunter & The Healer, on which their oldest son, Skye, plays the drums.

Having both been raised by activist parents at a time when Indigenous activism was on the rise, their music explores and raises awareness of the social injustices that still exist today. “Our activism is kind of in the way that we live, more than anything. It’s built on how we live as a family,” says Raven.

“Walking gently on the earth and being very mindful of the kind of parents we are. And looking at what seeds we’re planting for the future. That to me is the most powerful activism,” Sho-Shona adds. Raven and Sho-Shona live in Barrie, Ontario with their two sons.

Sold Out