Rock

Chuckee Zehr & Cheryl Lescom
Cheryl Lescom and Chuckee Zehr have been collaborating musically for many years. Although individually they are both well established performers, they more recently started performing as a duo, resulting in stellar harmonies alongside Chuckee’s keyboard stylings, and injecting a little humour along the way.   
Cheryl Lescom - vocalist/songwriter
Cheryl Lescom has been part of the Canadian music scene for over 45 years. Starting off in 1975 with several of her own bands before becoming a back up singer for Ronnie Hawkins and touring with Long John Baldry.  To date, Cheryl has released 6 CD's. Cheryl's newest release with the Tucson Choir Boys, 'Well Played'  was released in October 2020 on Busted Flat Records.  As the late, great Long John Baldry once said, "Cheryl Lescom has one of the best and biggest voices in Canada. I've had many great singers with me over the years and Cheryl is by far one of my favorites!" 
Chuckee Zehr - pianist/vocalist/songstress/musical director 
From blues to rock, with a taste of R&B, gospel, and classical, Chuckee’s musical character has been influenced by many. She has performed in many bands, theatre productions, and studio works. Whether in a small, intimate solo/duo setting, or with a full band in large venues, Chuckee likes a personal connection with the audience, delivering her songs with passion and emotion, as well as humour and fun. Chuckee has just released her fourth original album in December of 2020 “Laugh Lines and Crows Feet”. Currently she is the Musical Director of  “Inspired By Janis” and “The Woodstock Experience”; two successful musical productions. 

Welcome to the Aeolian Phoenix Sessions

The Aeolian Phoenix Sessions take centre stage... in the comfort of your own home. Every month we premier at least four productions recorded at Aeolian's studios or in the artist's home. The Aeolian Phoenix Sessions are intended to provide patrons with a cross-section of the music going experience. From classical to jazz, rock to country, and bluegrass to folk, the Sessions aim to bring music back into your home and heart. Interested in one show only? Trust us: you'll like what you see. Try the Phoenix Sessions all month and experience a few productions that you might never have seen in person. Our goal was to reignite live music and get artists on stage, technicians behind the soundboard and our patrons on their feet listening to extraordinary talent in extraordinary times.

Terms and Conditions

Membership to the Phoenix Sessions is $20 per month (automatically recurring) and you select the productions you wish to enjoy. Though membership renews automatically, patrons must validate their membership number every month to receive an access code for each new set of productions by email. This process is not automatic. Patrons will receive their first access code immediately upon registration. An access code is only good for one calendar month. Validation instructions are contained in the Membership tab on this page, in our weekly newsletter and in the monthly rollover announcement sent by the Aeolian Box Office. We do not have a multi-viewer pass. If you plan to safely watch with friends or family, please consider donating to further offset the costs associated with these productions. Tickets to individual productions are not available. If you do not intend to subscribe for longer than one month, refunds will not be provided to patrons who forget to cancel their membership or who have not read the terms and conditions: membership renewal is automatic every 30 days. This information is noted on every ticketing page, on event pages and marketing, on event posters and in our weekly newsletter. It is important to read information carefully before joining so as to not misunderstand how membership works. Upon registration and after monthly validation, you will receive a confirmation email including a link that you will use each time you wish to view a performance. Save that link… or follow instructions at www.aeolianhall.ca/phoenix to receive it again. Shows will be available on the date and time specified on Aeolian's website. PRODUCTIONS ARE AVAILABLE FOR A MAXIMUM OF TWO WEEKS AFTER PREMIER. IF YOU ARE PURCHASING MORE THAN 30 DAYS BEFORE THE MONTH BEGINS, YOU WILL BE BILLED EVERY 30 DAYS AS A RECURRING MEMBER. IF YOU ARE SPECIFICALLY INTERESTED IN AN INDIVIDUAL MONTH, PLEASE PURCHASE  YOUR PASS ON FIRST OF THE MONTH. Payment is final. No refunds will be offered.
Aeolian Hall
Price
$20 for a One Month Subscription
Event type
Genre
Scott Brunelle: Epiphenomena

Scott Brunelle is pleased to be performing, live in person, on the heels of his new album “Epiphenomena.” The record showcases Scott at his very best, with full arrangements of dreamy, powerful, prog rock sure to ignite the imagination. Sweeping sounds are contained within needle-sharp songwriting, the pieces punctuated by the seasoned musicianship of Scott and drummer Spencer Kring. A solo set and band set will both be performed. Expect a journey through the big questions of life, and to be uplifted by beautiful music along the way.

Scott Brunelle was raised in Bayham, Ontario, and first began playing in London in the Punk/Hardcore scene (2000s). In his teen years he developed an affinity for progressive rock, fingerstyle acoustic guitar, and folk songwriting. This wide breadth of influences informs Scott’s signature blend of “progressive folk music”, carried by his strong guitar chops and expressive vocals. Scott has been a proud member of the London music community for the past 10+ years, and has recently put out a milestone album in “Epiphenomena”, supported by a grant from the London Arts Council. Scott worked with veteran mix engineer Dean Nelson (Beck, Rolling Stones, Buck 65, Goo Goo Dolls) and mastering engineer Harris Newman (Godspeed You! Black Emperor, Basia Bulat, Orville Peck, Wolf Parade). “Epiphenomena” is a simultaneously expansive and concise expulsion of Scott’s unique vision which he is proud to share. Fans of Jeff Buckley, Elliott Smith, and John Frusciante are sure to enjoy.

 

Welcome to the Aeolian Phoenix Sessions

The Aeolian Phoenix Sessions take centre stage... in the comfort of your own home. Every month we premier at least four productions recorded at Aeolian's studios or in the artist's home. The Aeolian Phoenix Sessions are intended to provide patrons with a cross-section of the music going experience. From classical to jazz, rock to country, and bluegrass to folk, the Sessions aim to bring music back into your home and heart. Interested in one show only? Trust us: you'll like what you see. Try the Phoenix Sessions all month and experience a few productions that you might never have seen in person. Our goal was to reignite live music and get artists on stage, technicians behind the soundboard and our patrons on their feet listening to extraordinary talent in extraordinary times.

Terms and Conditions

Membership to the Phoenix Sessions is $20 per month (automatically recurring) and you select the productions you wish to enjoy. Though membership renews automatically, patrons must validate their membership number every month to receive an access code for each new set of productions by email. This process is not automatic. Patrons will receive their first access code immediately upon registration. An access code is only good for one calendar month. Validation instructions are contained in the Membership tab on this page, in our weekly newsletter and in the monthly rollover announcement sent by the Aeolian Box Office. We do not have a multi-viewer pass. If you plan to safely watch with friends or family, please consider donating to further offset the costs associated with these productions. Tickets to individual productions are not available. If you do not intend to subscribe for longer than one month, refunds will not be provided to patrons who forget to cancel their membership or who have not read the terms and conditions: membership renewal is automatic every 30 days. This information is noted on every ticketing page, on event pages and marketing, on event posters and in our weekly newsletter. It is important to read information carefully before joining so as to not misunderstand how membership works. Upon registration and after monthly validation, you will receive a confirmation email including a link that you will use each time you wish to view a performance. Save that link… or follow instructions at www.aeolianhall.ca/phoenix to receive it again. Shows will be available on the date and time specified on Aeolian's website. PRODUCTIONS ARE AVAILABLE FOR A MAXIMUM OF TWO WEEKS AFTER PREMIER. IF YOU ARE PURCHASING MORE THAN 30 DAYS BEFORE THE MONTH BEGINS, YOU WILL BE BILLED EVERY 30 DAYS AS A RECURRING MEMBER. IF YOU ARE SPECIFICALLY INTERESTED IN AN INDIVIDUAL MONTH, PLEASE PURCHASE  YOUR PASS ON FIRST OF THE MONTH. Payment is final. No refunds will be offered.
Aeolian Hall
Price
$20 for a One Month Subscription
Event type
Genre
Ring in the New Year with Sarah Smith

Uncovering. Exposing. Revealing.

Sarah Smith: she's home and she is better than ever. Sharing her greatest hits, Sarah rejoins the Phoenix Sessions (Sarah was the premier APS in September 2020) on the Aeolian Stage and rings in 2022 with the promise of something better and brighter for the new year. From Angels and Anchors to Shine Bright THIS is the night you've been waiting for.

There are few artists who exude the depth of passion, spirit and talent as London, Ontario’s Sarah Smith does on a stage or in a recording studio. Music is more than a vocation for Smith: it is her calling. The combination of her extraordinary personal magnetism, breathtakingly emotive voice and empowering music has created an impressive following of devoted fans and true buzz on the Canadian independent music scene.

Smith lives music, loves music – it imbues every fibre of her being and the result of this all-encompassing devotion to her craft is a catalogue of compelling songs that are deeply personal and revelatory, and mesmerizing in their soul-bearing sincerity – especially in a live setting.

“I am just so blessed. I can’t believe how much I have filled my life with music. Although I have been trying to slow down a bit, I just have this incredible urge to play music. I really love it. Even when I am off the road,
something else comes along, like a recording session or I am writing with someone else, or working on a music video. I am always busy with music and I love every second of it,” Smith said.

A working musician her entire adult life, after paying her dues in a number of different bands Smith came to prominence as the frontwoman and primary songwriter for the popular rock act The Joys – a staple on the Canadian club and festival scene beginning in 2005.

The Joys had songs that charted nationally on Canadian college radio, and won Best Rock Act at the Jack Richardson Music Awards two years in a row. The music of The Joys has also been licensed to everything from Sony Playstation to Teletoon, OUT TV and Chris & John’s Road Trip. And sales of more than 15,000 albums, primarily off the stage, landed them opening slots for the likes of The Trews, Sloan, Thornley, Big Sugar, Sam Roberts, Kim Mitchell, Robert Plant and Finger Eleven among others.

Seeking a more solitary and introspective creative outlet, Smith boldly stepped out as a solo artist in 2012 and has released three critically-acclaimed CDs, 2012s Stronger Now, 2014s The Journey, and an artistic
masterpeice, 11, which was released in 2016. Also on the list of releases for 2018 were a LIVE CD as well as a Christmas CD titled A Christmas Wish. She also released a live DVD in 2015 and has built a substantial and ever-growing audience through more than 250 live performances a year – including becoming an in-demand artist throughout portions of Central Europe.

“I just played a few shows over there and one good show leads to another and the next thing you know there are agents and club owners and even fans calling you trying to get you to play in their town. I think people see that I am legitimate, that I am very passionate about what I do and that the songs and my emotional performance of those songs really connects with people – no matter what language they speak. The fans in places like Germany and Luxembourg and the Netherlands have been so amazing to me,” she said, adding that she continues to work hard at spreading her fan base throughout the rest of Europe and into the U.K.

Her albums feature songs that are emblematic of Smith’s remarkable ability to mine the depths of her heart and soul to create music that is profoundly moving, inspiring and instantly memorable. Songs from it were compelling enough to draw interest from Los Angeles film director Marina Rice Bader, who featured Smith’s music in her compelling film Anatomy of A Love Seen. The CBC series Cracked also featured some of Sarah's songs.

“I am the worst songwriter because I just write about me and my feelings, my experiences, my emotions and my relationships. I write about my battle with drugs, my newfound inner spirituality and my pain. So it’s kind of like
therapy,” she said. “The song Stars is about wanting to hit the road with someone you love and getting lost together – kind of like Thelma and Louise.

Into The Light is about the deconstruction of an old relationship and rebuilding it back up into something new and better. Then there’s a song like Empty Void, which is literally about an empty spiritual void that I have tried
to fill inside me. It’s a plea to my partner to just hang tight while I go off and try to find something to fill that void; that I will be back and when I do come back, I will know so much more about myself.”

Although Smith has only been a solo artist for a few years, her lifetime as a touring musician, the rigours of the road, a roller-coaster ride of a personal life, battles with demons, defeats and disappointments has shaped her into the strong, self-assured artist that she is today. A fixture on the southern Ontario music scene, Smith has been repeatedly rewarded for her skill, talent and prowess as a songwriter and performer.

She has been named Best Singer Songwriter at both the London Music Awards and Jack Richardson Music Awards on numerous occasions, as well as Best Rock Artist and Fan Favourite. She was also named the Best Adult
Contemporary Artist at the Toronto Independent Music Awards in 2015. As a solo performer, Smith has shared the stage with the likes of Emm Gryner, The Tea Party, Bif Naked and more. She is also fiercely independent,
running all aspects of her business operation as well as the creative side. And while she is admittedly not comfortable as a music business schmoozer, she is adept at making the connections she feels are most important – with music fans.

Growing up in a deeply religious home, Smith’s earliest musical education came from child-oriented hymn books and spiritual songs. In high school she heard Alanis Morissette’s explosive and ground-breaking Jagged Little Pill album and, after acquiring her first guitar, a torrent of music began to flow out from her.

“I joined the Columbia House CD club and I remember some of the first CDs I got were by Bryan Adams, The Cars, Chicago’s Greatest Hits, Extreme’s Pornograffitti, Celine Dion … I was just trying to catch up. Then when I was 18 I went to New Zealand on what was supposed to be a school exchange, but I never went to school. I just played music and travelled around. While there I got into the music that was on the radio, including Crowded House,” she explained.

“I also went through this whole phase where I developed addictions and habits with alcohol and drugs – just living what I thought was the rock and roll lifestyle. I guess I was angry and rebellious, but I guess I survived and outgrew all that and am now channeling that energy, frustration and emotion into music. I guess music is my new addiction.”

And it is an addiction that Smith continues to share from coast to coast in Canada as well as with her burgeoning fan base in Europe. As a solo artist, in a duo or full band configuration, Smith commands the attention of concert
goers with her riveting personal charm, her infectious energy, her compelling songs, and a voice that never wavers in its emotional honesty, it’s power and its darkly sweet elegance.

It is an experience not to be missed.

Welcome to the Aeolian Phoenix Sessions

The Aeolian Phoenix Sessions take centre stage... in the comfort of your own home. Every month we premier at least four productions recorded at Aeolian's studios or in the artist's home. The Aeolian Phoenix Sessions are intended to provide patrons with a cross-section of the music going experience. From classical to jazz, rock to country, and bluegrass to folk, the Sessions aim to bring music back into your home and heart. This month... featuring:
  • Riseup TV
  • CM Justice/colton  moore
  • swagger
  • john d. Huston's a christmas carol
  • new year's eve with sarah smith
Interested in one show only? Trust us: you'll like what you see. Try the Phoenix Sessions all month and experience a few productions that you might never have seen in person. Our goal was to reignite live music and get artists on stage, technicians behind the soundboard and our patrons on their feet listening to extraordinary talent in extraordinary times.

Terms and Conditions

Membership to the Phoenix Sessions is $20 per month (automatically recurring) and you select the productions you wish to enjoy. Though membership renews automatically, patrons must validate their membership number every month to receive an access code for each new set of productions by email. This process is not automatic. Patrons will receive their first access code immediately upon registration. An access code is only good for one calendar month. Validation instructions are contained in the Membership tab on this page, in our weekly newsletter and in the monthly rollover announcement sent by the Aeolian Box Office. We do not have a multi-viewer pass. If you plan to safely watch with friends or family, please consider donating to further offset the costs associated with these productions. Tickets to individual productions are not available. If you do not intend to subscribe for longer than one month, refunds will not be provided to patrons who forget to cancel their membership or who have not read the terms and conditions: membership renewal is automatic every 30 days. This information is noted on every ticketing page, on event pages and marketing, on event posters and in our weekly newsletter. It is important to read information carefully before joining so as to not misunderstand how membership works. Upon registration and after monthly validation, you will receive a confirmation email including a link that you will use each time you wish to view a performance. Save that link… or follow instructions at www.aeolianhall.ca/phoenix to receive it again. Shows will be available on the date and time specified on Aeolian's website. PRODUCTIONS ARE AVAILABLE FOR A MAXIMUM OF TWO WEEKS AFTER PREMIER. IF YOU ARE PURCHASING MORE THAN 30 DAYS BEFORE THE MONTH BEGINS, YOU WILL BE BILLED EVERY 30 DAYS AS A RECURRING MEMBER. IF YOU ARE SPECIFICALLY INTERESTED IN AN INDIVIDUAL MONTH, PLEASE PURCHASE  YOUR PASS ON FIRST OF THE MONTH. Payment is final. No refunds will be offered.
Aeolian Hall
Price
$20 for a One Month Subscription
Event type
Genre
The Stevie Ray Vaughan & ZZ Top Experience

NOTE TO TICKET PURCHASERS:
CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS

"This is music of the highest order, playing and paying proper tribute to these Texas Blues/Rock Legends. Not to be missed"...Q 107 Radio, Toronto

Thousands of hours has been put into this project by band leader Dave Ryan and band. Concentrating on delivering the music and tone identical to the original artists, this is a show for musicians and fans alike. His abiliity to lock into the video track identically with his vocals and guitar, it will blow your mind leaving you saying "how the heck did he do that!"

Zapp! Productions has worked with some of the biggest names in the Blues and Rock world and this show is guaranteed to please on a music, performance and visual level.

60
Aeolian Hall
Price
$40 Advanced $45 Doors PLEASE SEE CURRENT COVID POLICY BEFORE RESERVING SEATS
Event type
Bif Naked

BIF NAKED was born in secret, to a teenager living in India, the product of a Canadian girl and a British boy, she was rejected by both families, hidden away in a mental hospital from her diplomat-grandparents' society and politico friends.   Adopted by American missionaries, and after years of legal hurdles, eventually gaining her and her adopted sister’s release from India they returned to North America.   She embarked on what she recalls with humor as a “charmed life”. A childhood of secret abuse, running away, targeted beatings by girl gangs, she was institutionalized for alcohol abuse as a teenager and sexually targeted, preyed upon by a long list of adult predators.  She escaped this early life by joining a punk rock band and left on tour, she married the drummer became pregnant and under extreme duress she aborted the unborn child and later the marriage and continued on a deadly downward spiral which culminated when she hit the floor of a Vancouver drug den overdosed. All of this before her 21st birthday.

Through it all, her creative and academic potential, multiple personalities, and her unstoppable humor were her weapons of self defense.   Bif showcased her life’s journey etched in tattoo ink across her body and with her unique ability to transform her true life stories into song lyrics, she found her voice as a solo artist, started her own record company Her Royal Majesty’s Records and at 23 years of age became a Platinum and Gold Album selling International Recording Artist.  Throughout her remarkable career, armed with her unique talent and instantly identifiable look, Bif would captivate the imagination of audiences and media alike, releasing ten albums and 24 videos.  She embarked on seemingly endless international tours, several feature films and multiple television roles, only to be struck down with breast cancer at the age of 37, the newly married Bif would discover the passion for advocacy, and a triumphant return to health and what she cherished most of all- her own resilience, strength and her unfaltering relationships with her adopted (dog) children Anastasia the bichonfrise, and Nick Naked her maltese poodle dog.  It’s already been a long, winding road... this is Bif Naked’s story so far....

Music Career:

Solo albums include the self titled album, Bif Naked, released in 1996, “I Bificus” in 1998 and Purge, released in 2001. A noted poet, she has also released a spoken word album calledOkenspay Ordway: Things I Forgot To Tell Mommy. In 2005, after narrowing it down from over 50 songs, she released Superbeautifulmonster, which featured 13 tracks. The Promise, which was recorded while Bif was undergoing chemotherapy for breast cancer, was released in 2009 and was dedicated to her fans. The album featured tracks mixed by Juno Award winner Mike Fraser. In 2011, after doing acoustic sets on tour, Bif released acoustic record on Her Royal Majesty's Records and in Canada Reliant Music late 2013, featuring acoustic versions of her past songs as well as four previously unreleased tracks. The Album is entitled BIF NAKED FOREVER: Acoustic Hits and Other Delights.

Prior to her solo career, Torbert played with punk bands Gorilla Gorilla and Chrome Dog.  She has toured Europe, the United States, and Canada as a headlining act, and has performed on bills with Green Day, Snoop Dogg, Billy Idol, Dido, Devin Townsend, Sarah McLachlan, Sheryl Crow, Chrissie Hynde, Foo Fighters, The Cult and more.

Bif's music has been featured in and on soundtracks for shows including Buffy the Vampire Slayer, Charmed, Moonlight, The Crow: Stairway to Heaven and Celebrity Deathmatch. She recorded a rendition of the Christmas classic, "I Saw Mommy Kissing Santa Claus" for MTV's Total Request Live CD MTV: TRL Christmas in 1999 and was also featured on the Ready to Rumble soundtrack with a cover of Twisted Sister's "We're Not Gonna Take It." The song "Dawn," taken from Purge, was featured in the movie American Psycho 2, starring Mila Kunis and William Shatner.

She made a guest appearance in the song "Fucker", on Strapping Young Lad's album The New Black in 2006. Bif Naked has also made guest appearances with artists such as SNFU on the songs "One Last Loveshove" and "You Make Me Thick". She also appeared on the Dead Celebrity Status album Blood Music on the track titled "In This Day And Age". In 2011, she recorded a duet with Vancouver yogi and Nettwerk recording artist Will Blunderfield for the international version of his album Hallelujah.

Aside from her music career, Bif is a University theatre major, and a Prairie Theatre Exchange graduate, also a sought-after actor.

In 1990, she appeared in the film Archangel, where she was credited as "Bif Torbert," playing a Russian soldier.

In 1997, she played a liquor store manager in The Boys Club.

She appeared in the television series Once a Thief in 1998, playing Nastassja Momomame.

In 2000, she voiced a character in the Daria movie, Is It Fall Yet?, playing a bisexual art camp attendee who attempts to seduce Jane Lane.

She was cast as Lead Actor in the Canadian indie films Lunch with Charles (2001) and Crossing (2005), the latter of which she recorded the song "My Greatest Masterpiece" for the movie.

She was the host of the CBC Television series ZeD (becoming their first host in 2002).

For Bodog, Bif hosted Bodog Fight in 2006 broadcast on ION Networks USA, and Bodog Battle a music reality series where she was a talent judge along side Johnny Rotten of the Sex Pistols, which aired in USA on Fuse Network.

She voiced the character Zoe Payne in the SSX videogame series.

In 2003, she made a cameo appearance in the zombie horror film The House of the Dead.

That same year, she appeared as a judge of a fictitious reality show in the TV series Cold Squad.

In 2006, she guest starred on an episode of The L Word, playing a character named Cynthia.

In addition, Bif Naked has appeared as herself in Buffy the Vampire Slayer, The Crow: Stairway to Heaven and The Chris Isaak Show.

Bif Naked also narrated the TV series That's Art?! (2012).

Personal life:

She is heavily tattooed, getting her first, an Egyptian Eye of Horus, when she was 16. Her tattoos include a symbol of the Tao, Japanese writing, Buddhist poetry and images (such as theBodhisattva), and Hindu imagery; she has stated on MTV that her favorite tattoo, on her left arm, reads "Survivor."

Bif identifies as straight-edge.  She is also a comic cartoonist.

Bif has always been frank about her bisexuality, and the lyrics of her autobiographical songs (such as 1995's "Everything") detail her attractions to and relationships with women.

She is also a strict raw food vegan.

She was diagnosed with a heart aneurysm, but corrective surgery was ruled out.

In January 2008, she announced that she had been diagnosed with breast cancer, and underwent a lumpectomy and chemotherapy.

Bif is a passionate Animal Rights activist", and a full-time cancer patient mentor and volunteer.

Bif Naked spoke at the University of the Fraser Valley for International Women's Day on March 8, 2013, at the Abbotsford campus in British Columbia, Canada; it was announced she would be awarded an honorary doctorate from the university in June 2013.

60
Aeolian Hall
Price
$35 Advanced $40 Doors
Event type
Delyn Grey

For Delyn Grey, the difference is black and white. The Toronto artist's bold single Disappointment Girl signals the rebirth of her sound, style and personal approach. "This is where I found Delyn Grey," she explains. "It was a turning point.” It didn't come easy. The pianist, guitarist and former choirgirl's breakthrough took years of intense work and struggle. That's when she looked inward and saw Disappointment Girl gazing back. Dressed in electro-rock tones and razor-wire sonics, her cathartic, desperate lyrics — "I need out of this prison" — reflect her inner turmoil. "It's really me saying, 'Fuck off and leave me alone!' to myself," Grey laughs. With no turning back, Grey is driving on toward an upcoming debut EP. "I want to make music that's fearless. I put my heart, my soul, my blood into everything. It's real, man."

Image removed.

Emm Gryner

Emm Gryner is an acclaimed singer, songwriter, vocal coach and occasional CBC radio host. She has been nominated three times for a Juno Award, twice for Pop Album of The Year. Emm toured the world with David Bowie, and appears on the recordings "Bowie at The Beeb" and "Glastonbury 2000”. In 2013, Emm collaborated with astronaut Chris Hadfield on his version of “Space Oddity” recorded partially aboard the International Space Station. The Hadfield-Gryner version has received over 200 million views worldwide and is celebrated as the first music video recorded in outer space.

60
Aeolian Hall
Price
$25 Advanced $30 Doors
Event type
Genre
Deni Gauthier
Quietly building his own scene for the last 10 years or so, Deni Gauthier has been delighting audiences all over Canada, the United States, and Europe. His beautiful voice and lush ambient guitar playing, layered with just the right amount of understated live looping create a sonic soundscape quite like his last two studio albums: Quiet Town and Passenger. From a quiet whisper, sometimes with a firm nudge, Deni is able to somehow connect musically and lyrically with songs that wander along the path of the strangely beautiful things in life. Old love, broken relationships, people trying to find their way. Dark yet beautiful, simple yet entangling. Deni can be heard all over CBC and independent radio and has charted throughout Canada and the States with several #1 positions to his name. If he is not working in his own studio he can be found on the road, sharing stories and songs to listening audiences sitting quietly and comfortably somewhere. He has been nominated for many awards, including several prestigious Jack Richardson Music Awards in the Contemporary Singer/Songwriter category. He tours often, and has shared with the stage with the likes of Jason Collette, Ron James, Barney Bental, Linda McRae, Irish Mythen, Steve Forbert and so many others, Deni’s performance skills have been honed and refined to offer a unique live musical experience.
Deni lets us in through his songs, and we might even learn something about ourselves in the process. This music is the antithesis of cacophony; this is musical peace. Put the headphones on and listen to "Passenger" and see if you don’t agree. (Jamie Oppenheimer, Host, "Lyrical Workers", Hunters Bay Radio) Oppenheimer’s headphone recommendation is a good one – have a few intimate listens all on your own. Then share with family and friends and maybe enjoy a little prideful boasting, “This fantastic talent lives right here in my community!” Relish Elgin Magazine
His musical quest for meaning and understanding are transformative and inclusive. As he quips self-effacingly in the description of one of his songs, Deni Gauthier is "the artist" forging meaning from a troubled and confusing world. I left last night's concert a little more connected and at peace with myself than when I arrived." - Jamie Oppenheimer. Hunters Bay Radio
Colin Linden

Colin Linden is a genuine renaissance man of roots music. He’s a member of the highly successful trio, Blackie and the Rodeo Kings, a singer and songwriter, an in-demand and prolific record producer, musical director on the hit TV show Nashville and sideman to the stars as guitarist for the likes of Bob Dylan, Bruce Cockburn, Emmylou Harris, Robert Plant and Alison Krauss.

Of how many artists can it be said that they’re getting better, 33 years into their recording career? Colin Linden can certainly be considered a member of that select club based on From The Water, the 11th solo album in a storied career that has also featured his work on literally hundreds of other records. At last count, the total of albums on which he has played stood at over 300, while at least 70 albums bear the ‘Produced by Colin Linden’ credit.

Linden is a genuine renaissance man of roots music. He’s a singer and songwriter of great skill, an in-demand and prolific record producer ( Bruce Cockburn, Tom Wilson, Colin James), a sideman to the stars as guitarist for the likes of Bruce Cockburn, Emmylou Harris, and Robert Plant and Alison Krauss, and, for the past decade, a member of the highly successful trio, Blackie and the Rodeo Kings.

Colin’s songs have been covered by The Band, The Blind Boys of Alabama, Keb’ Mo’, and Colin James, and his well-stocked trophy case includes seven Juno, multiple Maple Blues Awards, and a Toronto Arts Award. He was nominated for a Grammy Award for the star-studded A Tribute To Howlin’ Wolf CD, and was involved in the ground-breaking O Brother Where Art Thou phenomenon. Linden has a well-deserved reputation as a slide guitar virtuoso of real originality, and his riveting slide work can be heard both on albums from such artists as Cassandra Wilson, The Rankin Family and Whitey Johnson and on his own sizeable solo catalogue.

Colin’s multi-faceted talents coalesce in truly compelling fashion on From The Water. This is a stylistically more diverse work than his previous outing, 2007’s easin’ back to tennessee. That acclaimed disc served as an homage to the acoustic country blues style that was the crucial inspiration for the Toronto-born and raised, Nashville-based Linden in his musically formative years.

From The Water can also be viewed as an homage of sorts. Colin’s long-time musical collaborator and closest friend, legendary keyboardist Richard Bell, passed away in 2007, and his spirit is omnipresent here. The dynamic duo played on over 100 albums together (more than 40 of them Linden productions), including records by The Band, Bruce Cockburn, Lucinda Williams, Blackie and the Rodeo Kings and Colin James.

“We had such a giant, gaping hole in our hearts, our lives and our music,” says Colin of his departed comrade. “Instead of trying to replace the irreplaceable, we all just tried to play more like Richard. We tried to incorporate his irreverence, his spirit, and his incredible musicality. I surrendered a lot to the emotion and you hope that lets you dig deeper. You are not so self-conscious in what you are doing. We all just tried to get better than we’ve been.”

That determination paid off, as the depths of their grief clearly lifted Linden and his band up to greater musical heights on From The Water. The disc features his ace team of long-time musical accomplices, bassist Johnny Dymond, drummers Bryan Owings and Gary Craig (who doubled as associate producer), and keyboardist John Whynot, who also recorded the album. Guests include harmonica virtuoso Paul Reddick and the famed Memphis Horns, featuring Wayne Jackson.

This stellar cast proved the ideal accompanists for a collection of, in Colin’s words, “some of the grooviest, funkiest and most soulful songs I could have written and recorded.” The central focus throughout remains the potent combination of Linden’s gritty and emotionally eloquent vocals, typically fluent and resonant guitar work, and songs saturated with gravitas, grace, and heart-rending soul.

From The Water was recorded in studios in both Nashville and Canada. “The spirit of the record had more to do with the people than the place this time,” says Linden. “Much of what you hear is off the floor, with the basic band, then I spent a lot of time working on the little details.”

The imagery of water washes over much of this album. “Fundamentally, I feel that, in this period of time, in so many lives, there was a lot of water, a lot of tears shed,” Linden explains. “But you can also view water as a place you get baptized in. No matter how crazy and chaotic and heart-breaking this time has been in history, I’m an optimist that we are coming out from the water.”

With From The Water, Colin Linden has crafted a compelling work that will leave the listener feeling spiritually cleansed and musically reinvigorated.

www.colinlinden.com

60
Aeolian Hall
Price
$30 Advanced $35 Doors
Event type
Genre
Strawbs

England’s Strawbs have a long and storied history going back more than 50 years. Dave Cousins is fond of telling the story of how his new band, The Strawberry Hill Boys, once did a six week residency in London with another upstart group. The other band was called The Rolling Stones. The Strawbs are as busy as ever and have no plans on sailing off into the sunset. In 2018, however, the band will mount their final full electric tour of Canada. The line-up will include original members Dave Cousins, Dave Lambert, Chas Cronk and Tony Fernandez, all of whom recorded on the classic Strawbs albums of the 1970s. Rounding out the lineup will be keyboardist Dave Bainbridge of the band, Iona. It has been quite a few years since the full electric Strawbs toured Canada.

Don’t miss this opportunity to see their last electric tour!

Strawbs album, Hero & Heroine, has been listed by Rolling Stone magazine as “one of the 50 greatest prog rock albums of all time”. It is the band’s biggest seller worldwide and was certified gold in North America.
In the USA Strawbs had seven consecutive albums in the Billboard Top 200.

Dave Cousins, founder member, has been described by All Music Guide as: “the most talented Dylaninfluenced songwriter to come out of England”.  He recently released his long awaited, and critically acclaimed, autobiography Exorcising Ghosts: Strawbs and Other Lives. It was listed by influential critic Richie Unterberger in his “Top 10 of 2014 rock books”

Strawbs are often mentioned in the same breath as progressive rock bands like YesKing Crimson, and The Moody Blues.  It is well documented that Rick Wakeman left Strawbs for Yes.  Rick was followed by Blue Weaver - who left Strawbs to join the Bee GeesJohn Hawken – from the original Renaissance, Don Airey - now with Deep PurpleAdam Wakeman, and Oliver Wakeman, who, like his father, left Strawbs to join Yes!

Strawbs emerged out of the British Folk Movement of the mid-1960s, starting life as the Strawberry Hill Boys playing bluegrass. They moved into the mainstream in 1967 by making the first Strawbsalbum, All Our Own Work, with Sandy Denny, a full year before she recorded her first album with Fairport Convention. The album attracted the attention of A&M Records in Hollywood who signed Strawbs as the first British band on the label.

Strawbs albums Hero & Heroine, Bursting At The Seams, Ghosts, and Grave New World define the music.  The current Strawbs line-up comprises Dave Cousins, lead guitarist Dave Lambert, bass player Chas Cronk, and drummer Tony Fernandez, who recorded and toured together in the 1970s.  They are joined by keyboard virtuoso Dave Bainbridge of Iona, a band whose mystical blend of rock, folk, Celtic and ambient music has endeared them to audiences across Europe and North America for the last 25 years.

“The Strawbs moved from folkier days to a lush, stately and mellotron-dominated sound, with similarities to Yes, King Crimson and the Moody Blues.  They wrote more compelling songs than the former two and possessed more lyrical/musical substance than the latter.” (Ken Barnes/Rolling Stone 1974)

“Carefully selecting their repertoire from less than obvious sources they invest the rarely performed material with considerable energy and thoughtful arrangements.” (Record Collector - 2003)

“Unlike many groups that are past their commercial prime and churn out inferior, dispirited versions of the hits from their glory days, the Acoustic Strawbs stand out as a band that performs their old material with passion and precision.  Furthermore, they have broken new ground by harnessing the power of their electric incarnation in an acoustic setting.” (Chicago Tribune – May 2003)

“Hearing the brilliant Strawbs [at the Edmonton Folk Festival] was like a tutorial in UK folk music from the past 40 years. (Edmonton Sun – August 2004)

“Like a Ray Davies steeped in Arthurian folklore and rustic reverie, David Cousins’ visionary talents are to the fore conjuring up a mythical canvas of Albion awakening.”  (Uncut – September 2008)

Tell me what you see in me revealed it to be a virtual blueprint for the harmonies and arrangements of the entire Styx catalogue. Oh how she changed, similarly, sounded like a vocal model for latter day bands like Fleet Foxes.” (Schenectady Times Union – September 2010)

“The songwriting was phenomenal, and the way the trio embellished sublime melodies with supreme harmonies and incredible instrumentation made their performance unforgettable.  In fact, I repeatedly thought “music just isn’t this good anymore”. (Philadelphia Examiner – September 2011)

“Dave Cousins shows himself as a brilliant and original songwriter….” (Classic Rock – September 2012)

 

60
Aeolian Hall
Price
$45 Advanced $50 Doors
Event type
Genre
The Strictly Hip

The Strictly Hip are the Masters of the Music of The Tragically Hip!

The Strictly Hip have spent thousands of performances across North America respectfully and accurately recreating the music of Canada's most popular rock band with painstaking attention to musical detail.

The Strictly Hip are not an impersonator act. The music of The Tragically Hip is performed passionately, with reverence to its creators.

It's a fun and nostalgic adventure through The Hip's storied catalog of favourites. No costumes or gimmicks required.

60
Aeolian Hall
Price
$20 Advanced $25 Doors
Event type
Genre
The Strictly Hip

The Strictly Hip are the Masters of the Music of The Tragically Hip!

The Strictly Hip have spent thousands of performances across North America respectfully and accurately recreating the music of Canada's most popular rock band with painstaking attention to musical detail.

The Strictly Hip are not an impersonator act. The music of The Tragically Hip is performed passionately, with reverence to its creators.

It's a fun and nostalgic adventure through The Hip's storied catalog of favourites. No costumes or gimmicks required.

60
Aeolian Hall
Price
$20 Advanced $25 Doors
Event type
Genre