Music

Tim Baker - Along The Mountain Road Tour

Tim Baker has come a long way to be with you. He’s come from the far, rocky, northeastern shores of Newfoundland. He’s come from the deep songwriting tradition of that island. He’s come from over 12 years of touring, writing and recording, with his former band Hey Rosetta! And he’s come through 5 years on his own now, releasing 2 full-lengths & 3 EPs, over a dozen music videos, and playing countless festivals and shows across North America & Europe. He’s come through it all collecting critical praise, devoted followers, and awards along the way: 2 Juno nominations (SOCAN Songwriter of the Year, New Group of the Year), 2 shortlist/3 longlist Polaris Prize nominations, 14 East Coast Music Awards, many Music Newfoundland & Labrador Awards and other prizes. Through it all he brings his powerful and personal voice, his electric and open-hearted energy, his dynamic and sophisticated arrangements, his wild and sweeping body of work. Other than the occasional solo performance (or the odd show with orchestra and/or choir) Tim has spent the vast majority of his touring life expressing his music through the power of a 5-7 piece band - his former, Hey Rosetta!, and his current, Tim Baker & All Hands. Always one to keep reimagining and reconnecting in different ways, this fall the Canadian troubadour is reducing the arrangements, focusing the light, and watching the songs expand to fill the space; laying bare his extraordinary songwriting, his extraordinary spirit, his extraordinary journey here.

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Aeolian Hall
Price
$35 Advanced $40 Doors
Event type
Haley Heynderickx

It takes a mix of skill and luck to tend a garden well, but it’s impossible without a certain amount of kindness tended. While the cyclical nature of gardening seems inherent, in some ways, Heynderickx is just beginning. Her debut album, named I Need to Start a Garden out of a search for calm through these waves of uncertainty and upheaval, is out now via Mama Bird Recording Co.

For the empathetic singer/songwriter, the reasons for seeking such acceptance and understanding stem from a life of paradoxes. Heynderickx grew up in a religious household in Oregon, closely identifying with her Filipino roots, but also straddling multiple cultural identities. Now residing in Portland, her faith is not overt, but her introspection and continued struggle for self-actualization are easily accessible and relatable.

Likewise, the tracks on I Need to Start a Garden reflect these seemingly disparate elements. Through soft acoustic guitar picking and deftly accented trombone sighs, Heynderickx’s music immediately recalls folk music of the ‘60s and ‘70s mixed with a love of jazz radio. But Heynderickx’s singing—her vocals that range from sultry to operatic—belie a tenacity in her soul.

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Mia Kelly

Mia Kelly is a singer-songwriter from Gatineau, Quebec who writes and performs in both French and English. Mia enthralls listeners with a distinctive blend of Folk, Rock, and Blues and is making her mark in the Canadian folk music scene. Backed by her performance on guitar or piano and accompanied by foot percussion, Kelly’s foot-stomping sing-a-longs are anchored by her powerful voice that emanates raw emotion.  Her infectious energy captivates you as she shares her heartfelt stories & banter.

Swiftly gaining recognition as a poetic lyricist with a powerful and versatile voice, Mia is a born performer who radiates confidence on stage. With her knack for adapting the stories of the people she has connected with in her life, Mia is an imaginative storyteller who channels her raw and vulnerable emotions through her expertly crafted songs.

In August of 2022, Kelly released her first album “Garden Through the War”.  Produced and mixed at Fixed Hinge Studio by Ottawa’s Jim Bryson (Kathleen Edwards, The Tragically Hip) and mastered by Grammy-nominated Phillip Shaw Bova, the record demonstrates maturity in Kelly’s songwriting. Exploring themes of resilience and growth that follow hardship, the album has already received recognition from the SOCAN foundation. This year, Kelly was awarded Emerging Artist of the year by Culture Outaouais was nominated for Artist of the Year (Capital Music Awards), nominated for Album of the Year (Folk Music Ontario Awards), and represented Canada at the Jeux de la Francophonie in the Democratic Republic of Congo 2023. 

1410
Aeolian Hall
Price
$25 Advanced $30 Doors
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Noelle Frances

Inspired by the storytelling that exists in the diverse genre of folk music Noelle writes in a way that is simple, honest and deeply emotional. Noelle is a witty and charismatic performer who draws in the audience with her joy. She meshes a lighthearted presence and stage banter with emotionally charged, uplifting and sometimes haunting songs. Lyrically she taps into the angst and beauty of life. Each song has a soul and largely speaks to the resiliency and courage of human beings.

Aleksi Campagne
Aleksi Campagne is uniquely qualified to offer a contemporary, indie-folk take on the time-honoured fiddle-singing tradition. Aleksi grew up on stage. At five years old, he began performing alongside his mother, Canadian folk icon, Connie Kaldor. At nineteen, Aleksi moved to Paris to study under Jazz-violin legend Didier Lockwood. At twenty-one, Aleksi became the only student to have ever been accepted into the classical violin, the jazz violin and the jazz voice performance programs at McGill University. And, by twenty-five, with only a six-song EP, Aleksi graced the lineups of some of the most competitive folk festivals across Canada for three consecutive years - including the Regina, Canmore, and Bear Creek Folk Festivals. Most recently, Aleksi received both a Canada Council Grant and a FACTOR Grant to fully fund the recording and production of his highly-anticipated 10-song debut album For the Giving, launching fall 2023. Still based out of his hometown of Montreal, Aleksi floors audiences by singing while bowing his violin and seamlessly navigating songs in English and in French. His original music blends folk songwriting with an edgy, multi-layered sound resulting from his unique combination of voice, violin, and looping- effect pedals. “The dreamy orchestration and floaty vocals of ‘Another Day’ provide a silken sensory camouflage to Aleksi’s profound mastery of story-telling, letting the listener inside the heart of the singer with wordplay, imagery, pensive pauses and a thrillingly casual whistle solo.” -Paul Corby, Roots Music Canada
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Aeolian Hall
Price
$25 Advanced $30 Doors
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Peter Karle Combo - Everything In Its Right Place

5 years after their first performance of Radiohead Jazz Arrangements, The Peter Karle Combo is excited to bring "Everything In Its Right Place" back to life.

The Peter Karle combo is a powerhouse of London Jazz musicians consisting of: Peter Karle (Guitar), Marsh Bindseil (Trumpet), Adam Lamoureux (Tenor Saxophone), Tony DeLuca (Alto/Baritone Saxophone), Luke Roussy (Trombone), Andrew Kosty (Upright Bass) and Mark Swan (Drums). Arrangements will shift between some of Jazz’s current leaders such as Brad Mehldau, Amnesiac Quartet, and arrangements by Peter Karle, Mark Swan, Adam Lamoureux and Andrew Kosty.

Having since played the Radiohead Jazz Tribute, The Peter Karle Combo was proud to bring their own arrangements of Pink Floyd, David Bowie and The Police/Sting to The Aeolian. Since then, the Combo has matured into its own sound with each member of the combo bringing a unique jazz element to the Combo.

60
Aeolian Hall
Price
$35 Advanced $25 STUDENT
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Sarah Smith & Justin Maki

Sarah Smith & Justin Maki come together for a double headliner afternoon concert at The Aeolian! Get your tickets for what will truly be an incredible performance from both artists!

SARAH SMITH
Sarah Smith is a fiercely talented Canadian singer/songwriter, known for her powerful and compelling stage performances and the bold humanity of her songwriting.

After honing her craft as a member of proto-Punk band The Joys, Sarah has spent the last 15 years as a solo artist, touring relentlessly throughout Canada, while also building a growing and deeply loyal fan base in key parts of the United States and Europe. She has been honoured with over 25 Canadian Independent industry awards for her work, and has shared the stage with some of the most respected Canadian artists of all time, including Carole Pope, Sass Jordan, Joel Plaskett, Bif Naked, as well as International acts like Melissa Etheridge, Nancy Wilson and KT Tunstall.

She has steadily released original music over the past decade, including 2023’s “Come Together”, an 18-track album which combines the sounds of Canadian Production by Mick Dalla-Vee (Randy Bachman) as well as European production by Pat Anthony (Usher).

A native of London, Ontario, Sarah recently moved to Pender Island, off the coast of mainland British Columbia where she has experienced a personal rebirth and a revitalization of her creative artistry. The balance she has rediscovered in life has translated into new and exciting creative endeavours and re- energized her desire to become an international touring artist.

JUSTIN MAKI
Justin Maki is a “Flirtatious Jazz-Pop” artist out of London, ON. He is the FCLMA’s 2021 “Pop Artist of the Year” and 2022 "Contemporary Singer-Songwriter of the Year". Japan born and Canada bred, Justin’s music carefully draws influence from R&B, Soul, Funk, and Jazz and packages it in an accessible Pop format: imagine blending Allen Stone, John Mayer, Bruno Mars, and Robin Thicke. Justin aims to inspire joy through music performance and creation by curating a memorable musical experience.

Justin has played over 1,000 gigs from Halifax to Prince George, Mexico to the Netherlands, and has shared the stage with The Sheepdogs, Measha Brueggergosman, Neon Dreams, and Olivia Lunny. From bars to concert halls, backyard parties, weddings, and festivals, Justin has been entertaining 100,000s for the last 18 years. He has worked with such accomplished producers as Matthew Johnston (produced Shad and Chad Price) and Mark Howard (produced Bob Dylan, Willie Nelson, U2, and Neil Young) and has also won Western University’s Battle of the Bands in 2015, as well as Western Voice in 2016.

60
Aeolian Hall
Price
$35 Advanced $40 Doors
Event type
Ray Bonneville

Acclaimed raconteur Ray Bonneville strips his bluesy Americana down to its essentials and steeps it in the humid grooves of the South, creating a compelling poetry of hard living and deep feeling. His ninth release, At King Electric, delivers more than his trademark grit and groove. Songs such as “The Next Card to Fall” and “Codeine” gleam with intimate narratives of characters reaching for hope and wrestling with despair. Rich guitar and harmonica lines resonate over spare but spunky rhythms, while Bonneville’s deep, evocative voice confesses life’s harsh realities.

Jim Withers (Montreal Gazette) describes his sound as “folk-roots gumbo… a languid Mississippi Delta groove, seasoned with smooth, weathered vocals and a propulsive harmonica wheeze.” Whether performing solo or fronting a band, playing electric or acoustic guitar, Bonneville allows space between notes that adds potency to every chord, lick, and lyric. Thom Jurek (Allmusic.com) remarks, “With darkness and light fighting for dominance… he’s stripped away every musical excess to let the songs speak for themselves.”

Often called a “song and groove man,” Bonneville has lived the life of the itinerant artist. From his native Quebec, he moved to Boston at age twelve, where he learned English and picked up piano and guitar. Later, he served in Vietnam and earned a pilot’s license in Colorado before living in Alaska, Seattle, and Paris. Six years in New Orleans infused his musical sensibilities with the region's culture and rhythms. And then, a close call while piloting a seaplane proved pivotal: After two decades working as a studio musician, playing rowdy rooms with blues bands, and living hard, Bonneville’s lifetime of hard-won experience coalesced into an urge to write his own music.

Ray recorded his first album, On the Main, in 1992. He’s since released nine albums, earned wide critical and popular acclaim, and won an enthusiastic following in the U.S., Canada, and Europe. His awards include a prestigious Juno, the Canadian equivalent of a Grammy, for his 1999 album, Gust of Wind. In 2012, Ray won the solo/duet category in the Blues Foundation’s International Blues Challenge. His post-Katrina ode, “I Am the Big Easy,” earned the International Folk Alliance’s 2009 Song of the Year Award, placed number one on Folk Radio’s list of most-played songs of 2008, and was recently covered by Jennifer Warnes for the BMG label.

Other notable artists who have recorded his songs include Ronnie Hawkins (“Foolish”) and Slaid Cleaves (“Run Jolee Run”). Ray has shared the bill with blues heavyweights Muddy Waters, B.B. King, Dr. John, J.J. Cale, and Robert Cray, and has guested on albums by Mary Gauthier, Gurf Morlix, Eliza Gilkyson, Ray Wylie Hubbard, and other prominent musicians. He has performed at renowned venues around the world, including South by Southwest, Folk Alliance, and Montreal International Jazz Festival, and plays over 100 shows per year across the U.S., Canada, and Europe. When not on the road, he resides in Austin, Texas.

60
Aeolian Hall
Price
$35 Advanced $40 Doors
Event type
Hells Bells: Celebrating 50 Years of AC/DC
Hells Bells were formed in 1994 and have performed over 1500 shows across Canada and the US. When not touring the nation, they continue to rock the concert halls of Ontario on a regular basis. The show is a MUST SEE, with visual effects and stunning reproduction of the music and attitude of AC/DC. Solid tempos, tuned to concert pitch and, note for note reproduction are all part of the performance that set this band apart from all the other tribute acts. Focusing on the accuracy of each and every performance while hanging out in Hell is the mission statement. The show is truly the ultimate tribute to AC/DC.

THIS IS HELLS BELLS!

60
Aeolian Hall
Price
$40 Advanced $45 Doors
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Terra Lightfoot

Drop the needle on Healing Power, the bright, bold new album from acclaimed Canadian recording artist Terra Lightfoot, and you won’t be surprised to learn that it was inspired at high altitude. The album’s cover photo sets the scene — a striking European larch at the edge of the timberline, high above a grassy plateau, Limestone Alps rising in the distance like a dream just out of reach. Alone in Austria, just ahead of a string of solo European dates, and just a third of the way into a sprawling world tour, Lightfoot found herself on a mountain-top beneath that tree, singing and playing guitar, touching grass and drilling into the depths of her emotions.

She was surrounded by flowers yellow and blue, and though Lightfoot herself has been given her share of flowers — a pair of JUNO nominations, a long-list Polaris nod, lead single “Paradise” soundtracking the CBC’s first 2018 Winter Olympics wrap — the strain of nearly three years of steady roadwork was eroding the ground under her feet.  The tree ultimately became emblematic of the next chapter of Lightfoot’s artistic journey as well as the unassuming cover star of her sixth album.

“The story,” Lightfoot says, “is that everything comes back around. It was my idea to call the record Healing Power, and I thought of the most healing place that I knew in the world. That tree taught me about perseverance. It was the only tree living at that altitude. It just kept growing. And I knew I had to be like that too: just to keep growing and changing.”

Healing Power is further evidence of Lightfoot’s ability to do just that. To describe her decade-plus musical evolution as astonishing is something of an understatement. Along the way, Lightfoot's marathon tours have touched down in eight countries across four continents (including support slots for Bruce Cockburn, Blue Rodeo, Toad the Wet Sprocket, The Posies, The Sheepdogs, and Willie Nelson). She also conceived, created, curated, produced and co-headlined The Longest Road Show, an all-female touring revue. In October 2020, Lightfoot released Consider the Speed, recorded by Grammy-winning producer Jay Newland at Memphis' legendary Royal Studios. In early 2022, Lightfoot launched her own label, Midnight Choir, with a cover of Leadbelly’s “Where Did you Sleep Last Night?” and fan-favourite original composition, “Sleepyhead”, covered by Sarah Blackwood of Walk Off The Earth.

With 2023’s Healing Power (out October 13, 2023 on Sonic Unyon Records), Lightfoot showcases her considerable clout as a pop songsmith, delivering a dozen stunning tracks that together represent a career high. The album is her third outing with producer Gus van Go, and it is tribute to her creative ambitions and capacity that the collaboration is yet another quantum leap in her artistic development.

“There was a sense of freedom, both personally and creatively, that struck me while I was writing this record,” Lightfoot says. “Once I got back into the studio with Gus, having already made two records with him, there was an undeniable comfort and workflow that we just fell into. We are super-productive together in the studio. I also seem to get my best vocal takes with Gus behind the board. We built this record pretty quickly together with the band on call whenever we needed them.”

Healing Power delivers the peerless pop-rock album that fans have long known that she always had in her. The set captures the crackling chemistry of the core live trio — most of the album finds Lightfoot backed by bassist Elijah Abrams and Blue Rodeo’s Glenn Milchem on drums. This compact and capable team of players reinforces the strengths of Lightfoot's remarkable material. From hand-clapping head-turner “Cross Border Lovers” through the cinematic ballad “Out Of Time” that closes it, Lightfoot’s artistic range is again on full display, and her musical talents never short of dazzling. A buoyant pop-rock record at its core, Healing Power is a prismatic tour de force from the charismatic rocker.

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Aeolian Hall
Price
$25 Advanced $30 Doors
Event type
The Legendary Downchild Blues Band - Happy Trails Tour

THE LEGENDARY DOWNCHILD BLUES BAND are THRILLED to finally be return to London to perform at Aeolian Hall for a night of hip shaking blues you don't want to miss!!

Downchild came to international prominence as the inspiration for Hollywood stars Dan Aykroydand the late John Belushi’s hit film, The Blues Brothers. In fact, two Downchild songs, “Shotgun Blues” and “I Got Everything I Need (Almost)” were even covered on The Blues Brothers’ 1978 multi-platinum album Briefcase Full of Blues.

Leader and co-founder, Donnie Walsh, was inducted into the Canadian Songwriters Hall of Fame in 2019, alongside some of the greatest songwriters of our time, like Leonard Cohen, Neil Young and Joni Mitchell.

For over 54 years, Downchild continues to be led by, Donnie “Mr. Downchild” Walsh on guitar and harmonica, singer Chuck Jackson, who also plays harmonica, tenor sax man Pat Carey, Gary Kendall on bass, drummer Jim Casson and Tyler Yarema on keyboards.

With their signature jump-blues style and infectious, soulful sound, Juno Award winners Downchild deliver a live performance that is second to none and good times guaranteed!

30
Aeolian Hall
Price
$74 (INCLUDING HST & SURCHARGES)
Event type
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Andrew Collins Trio

You may already know the wildly exploratory Andrew Collins through his work with The Foggy Hogtown Boys, the equally mind-bending Creaking Tree String Quartet or the Trio, itself – but you’ll never put a label on him for his approach to folk, newgrass, jazz and even some chamber-oriented roots music. Showcasing a dizzying number of styles and instruments on stage, Collins and Co. appear to live by the old adage, “idle hands are the devil’s workshop”, likely keeping them just ahead of his grasp. Bending and blending genres, these musical shape shifters land somewhere between the re-imagined worlds of Béla Fleck and Newgrass invader, David Grisman.

Andrew’s skills on mandolin, fiddle, guitar, mandola, mandocello and smooth vocals merge with the rich talents of his trio mates Adam Shier (guitar, mandolin, vocals) and James McEleney (bass, mandocello and vocals) and represent a back-to-basics visitation on what the band does best -- spontaneity of the stage and rapid-fire, improvisational exchanges.

“This is some mighty mandolinin', from Canada's eight-string king.” Bob Mersereau’s Top 100 Canadian Blogspot

“The level of musicianship is outstanding, as you’d expect from a serial award winner such as Andrew Collins. He must be one of the best mandolin players in the business” Americana – UK

“Collins is a staggering mandolin player, able to achieve extraordinary speed, variety and nuance, whilst also being equally fluent on mandocello, mandola, guitar and violin. And that’s just on this album: the band appears to switch and shape-shift between instruments and roles with absolute assurance and ease… phenomenally talented…” Folking.com – UK
60
Aeolian Hall
Price
$35 Advanced $40 Doors
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