Holiday

Molly Johnson: This Holiday Season

Molly Johnson's voice evokes the aura of dark smoky nightclubs of a bygone era. It speaks to an emotional depth that few vocalists in any genre ever reach. Like the woman behind it, it is a voice filled with humor, joy, surprise, sassiness, and of course, love.

Molly's highly anticipated new album "Meaning To TellYa" was released in Spring . 2018. Produced by multiple GRAMMY Award-winning producer Larry Klein (Joni Mitchell, Tracy Chapman, Madeleine Peyroux, Meldoy Gardot, Norah Jones); it is more than ajazz record. It's funk, it's soul, it's groove, played by some of Canada's best musicians. Says Moll y: "Working with Larry was magic. When it was finally my turn, I jumped at the opportunity. This is a record I have been wanting to make for years. I can't wait to share it with everyone!" Says Larry: "Molly has a voice that is who she is as a person. Molly's voice has the kind of character that when you hear it, you hear who she is and you hear her history. You hear what she's done and where she has been and it's what I'm drawn to in a voice.”

A highly respected philanthropist and Officer to the Order of Canada, she has raised millions of dollars for people living with HIV/AIDS with her own Kumbaya Foundation and many other charitable organizations that she supports. Molly also hosted a weekend morning program on CBC Radio 2 for five years. In 2016, Molly launched the Kensington Market Jazz Festival, which fills the colorful and vibrant area performing 150+ shows over one weekend in September to over 5000 enthusiastic music fans.

60
Aeolian Hall
Price
$45 Advanced $50 Doors ONLINE TICKET SALES ONLY AT THIS TIME
Event type
Genre
Songs We Love: Sonja Gustafson & Bryan Gloyd

Well, the sky has finally opened
The rain and wind stopped blowin'
But you're stuck out in the same ol' storm again
You hold tight to your umbrella
Well, darlin', I'm just tryin' to tell ya
That there's always been a rainbow
Hangin' over your head

Music. It plays with our senses. It evokes a memory: a time, a place, a sensation. It heals our broken hearts and lulls us back into love again. Thus, the power of the musician.

In this very special performance, Gustafson & Gloyd return to the Aeolian Stage to perform their most intimate songbook: songs they love. From their heart to yours, the audience will take a trip through their experiences, if only for a moment.

Performers are used to 'performing'. Tonight, you will hear the songs and stories that for each of them have resonated and given definition to moments in their lives.

With very special guest, Clark Bryan (piano).

WELCOME TO THE AEOLIAN PHOENIX SESSIONS

The Aeolian Phoenix Sessions take centre stage… in the comfort of your own home. Every month we premier at least four productions recorded at Aeolian’s studios or in the artist’s home. The Aeolian Phoenix Sessions are intended to provide patrons with a cross-section of the music going experience. From classical to jazz, rock to country, and bluegrass to folk, the Sessions aim to bring music back into your home and heart. Interested in one show only? Trust us: you’ll like what you see. Try the Phoenix Sessions all month and experience a few productions that you might never have seen in person. Our goal was to reignite live music and get artists on stage, technicians behind the soundboard and our patrons on their feet listening to extraordinary talent in extraordinary times.

TERMS AND CONDITIONS

Membership to the Phoenix Sessions is $20 per month (automatically recurring) and you select the productions you wish to enjoy. Though membership renews automatically, patrons must validate their membership number every month to receive an access code for each new set of productions by email. This process is not automatic. Patrons will receive their first access code immediately upon registration. An access code is only good for one calendar month. Validation instructions are contained in the Membership tab on this page, in our weekly newsletter and in the monthly rollover announcement sent by the Aeolian Box Office. We do not have a multi-viewer pass. If you plan to safely watch with friends or family, please consider donating to further offset the costs associated with these productions. Tickets to individual productions are not available. If you do not intend to subscribe for longer than one month, refunds will not be provided to patrons who forget to cancel their membership or who have not read the terms and conditions: membership renewal is automatic every 30 days. This information is noted on every ticketing page, on event pages and marketing, on event posters and in our weekly newsletter. It is important to read information carefully before joining so as to not misunderstand how membership works. Upon registration and after monthly validation, you will receive a confirmation email including a link that you will use each time you wish to view a performance. Save that link… or follow instructions at www.aeolianhall.ca/phoenix to receive it again. Shows will be available on the date and time specified on Aeolian’s website.
Aeolian Hall
Price
$20 for a One Month Subscription
Event type
Genre
John D. Huston's A Christmas Carol

Veteran solo performer John D. Huston returns to the Aeolian Hall for a eleventh year as part of his tour of Charles Dickens’ one-man A Christmas Carol.

For a quarter century, this astonishing tour-de-force presentation has been described as “mesmerizing,” “powerful” and “Christmas magic” by reviewers across the country.

This is a live audience recording of this production for the Aeolian Phoenix Sessions. 

“Almost too perfect” The Globe and Mail

“A Christmas Carol is powerful one-man theatre…in the hands of a master storyteller.” National Post

“Vivid and lively…a consummate storyteller…mesmerizing.” Winnipeg Free Press

“Captivating…from start to finish.” The Ottawa Citizen

“I loved this production and urge all to see it.” Ottawa Sun

WELCOME TO THE AEOLIAN PHOENIX SESSIONS

The Aeolian Phoenix Sessions take centre stage… in the comfort of your own home. Every month we premier at least four productions recorded at Aeolian’s studios or in the artist’s home. The Aeolian Phoenix Sessions are intended to provide patrons with a cross-section of the music going experience. From classical to jazz, rock to country, and bluegrass to folk, the Sessions aim to bring music back into your home and heart. Interested in one show only? Trust us: you’ll like what you see. Try the Phoenix Sessions all month and experience a few productions that you might never have seen in person. Our goal was to reignite live music and get artists on stage, technicians behind the soundboard and our patrons on their feet listening to extraordinary talent in extraordinary times.

TERMS AND CONDITIONS

Membership to the Phoenix Sessions is $20 per month (automatically recurring) and you select the productions you wish to enjoy. Though membership renews automatically, patrons must validate their membership number every month to receive an access code for each new set of productions by email. This process is not automatic. Patrons will receive their first access code immediately upon registration. An access code is only good for one calendar month. Validation instructions are contained in the Membership tab on this page, in our weekly newsletter and in the monthly rollover announcement sent by the Aeolian Box Office. We do not have a multi-viewer pass. If you plan to safely watch with friends or family, please consider donating to further offset the costs associated with these productions. Tickets to individual productions are not available. If you do not intend to subscribe for longer than one month, refunds will not be provided to patrons who forget to cancel their membership or who have not read the terms and conditions: membership renewal is automatic every 30 days. This information is noted on every ticketing page, on event pages and marketing, on event posters and in our weekly newsletter. It is important to read information carefully before joining so as to not misunderstand how membership works. Upon registration and after monthly validation, you will receive a confirmation email including a link that you will use each time you wish to view a performance. Save that link… or follow instructions at www.aeolianhall.ca/phoenix to receive it again. Shows will be available on the date and time specified on Aeolian’s website.
Aeolian Hall
Price
$20 for a One Month Subscription
Event type
Genre
Pride Men's Chorus London presents Stars & Angels
Pride Men’s Chorus London, with guest artist, Heather Bambrick, will bring you a concert that is filled with just about everything: traditional seasonal & Christmas music, art music, jazz, pop, rock, and some funny tunes that will have your toes tapping and bells jingling. Here are some examples of what you’ll be hearing: a lovely mash-up of Hark the Herald Angels Sing with Angels We Have Heard on High; a version of Deck the Halls in a rhythm that you wouldn’t think was humanly possible; a lovely pieces set to a beautiful poem called Stars I Shall Find; and two hilarious, adventurous medleys called Christmas Can-Can and Santa Quodlibet. Heather will sing a few pieces on her own and some with the choir backing her up: River by Joni Mitchell; Merry Christmas, Darling as sung by The Carpenters; and the Louis Armstrong favourite, Cool Yule. And much more.
pride men's chorus london
Pride Men’s Chorus London was founded in 2016 and is a program of Aeolian Hall. PMCL was the 2018 recipient of the Jack Richardson London Music Award Best Classical Vocal (Choir/Group). Since it’s foundation, PMCL has sung to sold out audiences. Approximately 50 men sing in the chorus. It is a non-auditioned choir and those with all levels of musical knowledge are invited to join us. Pride Men’s Chorus London is part of a movement of LGBTQ2 Choirs in the world. Pride Men’s Chorus London made its unexpected debut at the Vigil for The Orlando Massacre hosted at Aeolian Hall on June 14, 2016. In the global arena of eroding human rights and particularly the rights of the LGBTQ2 community, we sing to enlighten and help those with closed minds and hearts to open up and celebrate diversity and love. Pride Men’s Chorus London creates experiences through choral music that promote community, inclusiveness and excellence.  With the goal of combatting stereotypes and perceptions, we challenge the heteronormative worldview by inspiring our audience, the LGBTQ2 community and our broader community through advocacy and music. We celebrate victories won, we mourn lives lost, we find unconditional acceptance, and we celebrate all life in harmony, through our songs.
60
Aeolian Hall
Price
$30 Advanced $35 Doors
Event type
Genre
Heather Bambrick

JUNO-nominated vocalist Heather Bambrick prides herself on being an entertainer through and through.  From her skillful, effortless interaction with audiences, to the variety and breadth of her material, Heather approaches every aspect of her performances with the goal of leaving audiences feeling far better after her shows than before they arrived.  Therefore her concerts have been described as what happens when “Ella Fitzgerald meets Carol Burnett at a Newfoundland kitchen party”.

It’s not only audiences who appreciate Heather’s talent.  Critics and industry professionals place Heather on the top rung of the musical ladder.  “Heather hits every right note”, says Mark Rheume of CBC Radio.  WholeNote Magazine calls her “one of the finest jazz singers in this country”, and All About Jazz says her voice is a “paragon of clarity” and that “she’s the real deal in every way”.

As one of Canada’s top Jazz vocalists, Heather has collaborated with some of the best around, including Phil Nimmons, Fred Hirsch, Gene DiNovi, Guido Basso, Anne Hampton Callaway, Carol Welsman, Jackie Richardson, Ian Shaw, as well as the late Rob McConnell and Peter Appleyard.  She’s a founding member of vocal ensembles The Beehive Singers and Broadsway, and has appeared as a guest performer with numerous Jazz ensembles, as well as with the Toronto Symphony Orchestra, the Newfoundland Symphony Orchestra, the Hamilton Philharmonic, and the Windsor Symphony Orchestra.

Heather’s solo recordings have each received East Coast Music Award nominations for Jazz Recording of the Year, and her 2017 release You’ll Never Know was also nominated for a JUNO Award for Vocal Jazz Album of the Year.  Heather has been a guest artist on a number of diverse recording projects, from those of the Caliban Bassoon Quartet, to Sophisticated Ladies (the final recording of Jazz great Peter Appleyard), and Just Passing Through (the award-winning recording from Jeff and Don Breithaupt).  She’s been honoured with Canada’s National Jazz Award for Vocalist of the Year.

Heather’s newest release Fine State sees her moving in some new musical directions, with a more Pop-influenced Jazz sound, featuring strong Canadian content, and original material.  Says Bambrick: “This project brings together more of the things that inspire me overall, not just in jazz and not just in music.  The arrangements show influences from rock, pop, and folk music, and the tunes we’ve chosen have a strong connection to the events of the world around me, and the roots of who I am as a musician and a person.”

Never one to wear a single hat, Heather is one of Canada’s busiest voice actors, heard in commercial campaigns and on several Emmy Award-winning animation series, including Daniel Tiger’s Neighbourhood and Wild Kratts.  She is also an award-winning broadcaster, hosting and producing shows on JAZZ.FM91 in Toronto, and most recently as the co-founder of JAZZCAST, a 24-hour internet-based Jazz station out of Toronto.  Along with all of this, she can often be found in classrooms and music festivals across Canada, acting as an advocate for the Coalition for Music Education in Canada, or fighting to close the “value gap” as a member of the Advisory Committee for Music Canada.

As Heather puts it: “I love doing so many different things and I am incredibly grateful that I am able to do a variety of work that brings me creative fulfillment.  The fact that I can do all of this and take care of the bills is fantastic, because those shoes aren’t going to pay for themselves!”

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Chantal Kreviazuk

From the urgent, heart-pounding opening chords of her new single “Into Me,” to the first time that famous voice surges like a king tide hitting a breakwater, the message is clear: Chantal Kreviazuk is back.

After seven years, three kids and collaborations with superstars like Drake, Pitbull, Christina Aguilera, Carrie Underwood, Kendrick Lamar and Pink, the JUNO Award-winning Canadian singer-songwriter’s latest just-for-herself album, Hard Sail, is like a freshman’s release of jaw-dropping hits all over again: it seems to come out of nowhere, but really took a lifetime to write.

And that’s not surprising, considering what Kreviazuk’s been up to since her last album, Plain Jane, was released in 2009.

She hunkered with husband and Our Lady Peace frontman, Raine Maida, in Los Angeles to have three boys, Rowan, Lucca and Salvador. She’s acted in films. She’s dedicated herself to War Child and several other charities. She started painting, appeared on Saturday Night Live and in 2014, was made, with Maida, a member of the Order of Canada.

In other words, when it came to penning Hard Sail just for herself, she had plenty of life to write about.

“I didn’t choose to make this album. I just had things to say and so they came out…there wasn’t any pressure to record, which for an artist is a great place to be coming from, because it’s real,” she says.

“Over the past several years, I’ve kept up with the practice of song writing while staying home and being near my kids. It’s a very humbling experience to be a parent. You do the work, your little people know who they are, they have a foundation. They sort of dictated when it was going to be okay for me to be comfortable with making a record and promoting that. It’s been a very organic process.”

Called Hard Sail because “I have a wonderful marriage and family through hard work,” she says, the album’s first single, “Into Me,” was written about accepting love, but it wasn't until she heard the produced track that she knew she had to make an album.

The video, directed by Michael Maxxis, “reflects the emotion and truth behind the star’s powerful lyrics,” noted Hello! Magazine.

“You get to a certain age and you just don’t care what others think. You’ve been through the washing machine so many times, you know who loves you and what matters. I feel so much more creative freedom in that. You just start stating the facts,” she says, “and the rest takes care of itself.”

The album’s second single, "All I Got," is a love letter, partly to Maida and partly to the idea of love.

“Later, someone asked me ‘how can you say you love someone more than you love yourself?’ But if you’ve ever loved outside of yourself, if you’ve ever had a child, you know you can love someone more than yourself.”

More than that, the album is a moment in time: Kreviazuk has lived a lifetime in the past seven years and the collection of songs acknowledges that.

“What is awesome about this is it’s an opportunity to take a picture of where I am,” she says.

The same could also be true of Kreviazuk’s entire catalogue, starting in 1998 when international audiences heard the Winnipeg native’s now-iconic rendition of “Leaving On a Jet Plane,” on the Armageddon soundtrack. From that moment, there was no doubting her star power as a multi-platinum selling artist with 15 hits in Canada, including “Surrounded” and “All I Can Do.”

On Hard Sail, Kreviazuk is at her best as a songwriter and artist, arguably because of time.

“If you get out of bed and put one foot forward, you’re changing. Every day, I’m someone new,” she says.

“That’s who I was, this is who I am. When Raine and I go out on stage together, we say ‘love, trust, protect’. That’s what this album is about. It’s a thank you to my husband and my family, it’s a letter to the universe that expresses my fears and frustration and my surrender to the reality of time.”

60
Aeolian Hall
Price
$45 Advanced $50 Doors
Event type
Sold Out
Chantal Kreviazuk

From the urgent, heart-pounding opening chords of her new single “Into Me,” to the first time that famous voice surges like a king tide hitting a breakwater, the message is clear: Chantal Kreviazuk is back.

After seven years, three kids and collaborations with superstars like Drake, Pitbull, Christina Aguilera, Carrie Underwood, Kendrick Lamar and Pink, the JUNO Award-winning Canadian singer-songwriter’s latest just-for-herself album, Hard Sail, is like a freshman’s release of jaw-dropping hits all over again: it seems to come out of nowhere, but really took a lifetime to write.

And that’s not surprising, considering what Kreviazuk’s been up to since her last album, Plain Jane, was released in 2009.

She hunkered with husband and Our Lady Peace frontman, Raine Maida, in Los Angeles to have three boys, Rowan, Lucca and Salvador. She’s acted in films. She’s dedicated herself to War Child and several other charities. She started painting, appeared on Saturday Night Live and in 2014, was made, with Maida, a member of the Order of Canada.

In other words, when it came to penning Hard Sail just for herself, she had plenty of life to write about.

“I didn’t choose to make this album. I just had things to say and so they came out…there wasn’t any pressure to record, which for an artist is a great place to be coming from, because it’s real,” she says.

“Over the past several years, I’ve kept up with the practice of song writing while staying home and being near my kids. It’s a very humbling experience to be a parent. You do the work, your little people know who they are, they have a foundation. They sort of dictated when it was going to be okay for me to be comfortable with making a record and promoting that. It’s been a very organic process.”

Called Hard Sail because “I have a wonderful marriage and family through hard work,” she says, the album’s first single, “Into Me,” was written about accepting love, but it wasn't until she heard the produced track that she knew she had to make an album.

The video, directed by Michael Maxxis, “reflects the emotion and truth behind the star’s powerful lyrics,” noted Hello! Magazine.

“You get to a certain age and you just don’t care what others think. You’ve been through the washing machine so many times, you know who loves you and what matters. I feel so much more creative freedom in that. You just start stating the facts,” she says, “and the rest takes care of itself.”

The album’s second single, "All I Got," is a love letter, partly to Maida and partly to the idea of love.

“Later, someone asked me ‘how can you say you love someone more than you love yourself?’ But if you’ve ever loved outside of yourself, if you’ve ever had a child, you know you can love someone more than yourself.”

More than that, the album is a moment in time: Kreviazuk has lived a lifetime in the past seven years and the collection of songs acknowledges that.

“What is awesome about this is it’s an opportunity to take a picture of where I am,” she says.

The same could also be true of Kreviazuk’s entire catalogue, starting in 1998 when international audiences heard the Winnipeg native’s now-iconic rendition of “Leaving On a Jet Plane,” on the Armageddon soundtrack. From that moment, there was no doubting her star power as a multi-platinum selling artist with 15 hits in Canada, including “Surrounded” and “All I Can Do.”

On Hard Sail, Kreviazuk is at her best as a songwriter and artist, arguably because of time.

“If you get out of bed and put one foot forward, you’re changing. Every day, I’m someone new,” she says.

“That’s who I was, this is who I am. When Raine and I go out on stage together, we say ‘love, trust, protect’. That’s what this album is about. It’s a thank you to my husband and my family, it’s a letter to the universe that expresses my fears and frustration and my surrender to the reality of time.”

60
Aeolian Hall
Price
$45 Advanced $50 Doors
Event type
Sold Out
A Quartette Christmas

A Quartette Christmas is a delightful mix of Christmas songs old and new, performed by four of Canada’s finest singer/songwriters -- Cindy Church, Caitlin Hanford, Gwen Swick, and Sylvia Tyson.

Their rich harmonies, warm humour, and love for the music will bring back many happy memories of Christmases past, and create wonderful new ones. Traditional favourites like “Silent Night” and “What Child Is This?” blend seamlessly with Quartette originals like “The Perfect Christmas Tree” and “Hope, Peace, Joy, and Love.” It is an unforgettable evening that will send you home full of the joy of the season.

60
Aeolian Hall
Price
$40 Advanced $45 Doors
Event type
Genre
Almost Sold Out
Good Lovelies

Still merry after all these years, Good Lovelies return with their 13th annual Christmas tour with shows across ON. What better way to celebrate the season than with classic holiday and winter selections, timeless and original material polished to a warm and welcoming glow?

This year also marks the 10th anniversary of Good Lovelies highly popular Christmas album “Under The Mistletoe.” To celebrate, the trio will be releasing “Evergreen”, a new collection of seasonal favourites, classic carols and original Christmas songs.

Accompanying Good Lovelies (Caroline Brooks, Kerri Ough and Susan Passmore) is their band of merry musicians, including Steve Zsirai on upright bass and Mark Mariash on drums. The six-piece will have you humming along, laughing, and full of mirth by the show's end.

Good Lovelies first united in 2006 for a one-off performance and has since compiled a catalogue of studio albums, EPs, a live album and a Christmas collection.  They have toured extensively across Canada, the US, Europe, UK, and Australia and have earned a Juno Award (2010), a Juno Nomination (2012) and four Canadian Folk Music Awards along the way. Their latest release, Shapeshifters, was released in February to much acclaim.

“Let the beguiling harmonies of Caroline Brooks, Kerri Ough, and Sue Passmore right into the very core of your heart.” - ET Canada

“one of the finest blends the country has known” - The Top 100 Canadian Singles

60
Aeolian Hall
Price
$37.50 Advanced $42.50 Doors
Event type
Genre
Sold Out
Good Lovelies

Still merry after all these years, Good Lovelies return with their 13th annual Christmas tour with shows across ON. What better way to celebrate the season than with classic holiday and winter selections, timeless and original material polished to a warm and welcoming glow?

This year also marks the 10th anniversary of Good Lovelies highly popular Christmas album “Under The Mistletoe.” To celebrate, the trio will be releasing “Evergreen”, a new collection of seasonal favourites, classic carols and original Christmas songs.

Accompanying Good Lovelies (Caroline Brooks, Kerri Ough and Susan Passmore) is their band of merry musicians, including Steve Zsirai on upright bass and Mark Mariash on drums. The six-piece will have you humming along, laughing, and full of mirth by the show's end.

Good Lovelies first united in 2006 for a one-off performance and has since compiled a catalogue of studio albums, EPs, a live album and a Christmas collection.  They have toured extensively across Canada, the US, Europe, UK, and Australia and have earned a Juno Award (2010), a Juno Nomination (2012) and four Canadian Folk Music Awards along the way. Their latest release, Shapeshifters, was released in February to much acclaim.

“Let the beguiling harmonies of Caroline Brooks, Kerri Ough, and Sue Passmore right into the very core of your heart.” - ET Canada

“one of the finest blends the country has known” - The Top 100 Canadian Singles

60
Aeolian Hall
Price
$37.50 Advanced $42.50 Doors
Event type
Genre
Sold Out
Matt Dusk: Old School Yule!
The holiday season is a time of cold weather, gifts and candy canes; but, for the adult crowd, it’s also about cocktails, carols and crooning.  And the best way to catch the spirit of the three ‘cs’ is through the popular touring show Old School Yule: A Matt Dusk Christmas, which returns to the TD Sunfest holiday lineup this December.  Dusk is one of Canada’s most beloved male vocalists, who has forged a career in music that has resulted in a string of critically-acclaimed studio albums and DVDs (attaining Gold and Platinum status), as well as TV specials and unforgettable live performances that take audiences on a journey through Sinatra-era favorites and Matt’s own sparkling repertoire of jazz, pop and, of course, Christmas songs. With its swingin’ up-tempo sound and 1960s swagger, Old School Yule is an album (a 16-track collection of Kringle-season classics, recorded with a 60-piece orchestra and 50-piece choir) and supporting concert tour that Matt envisioned as the type of classic TV variety show made famous by the likes of Bing Crosby and Judy Garland. “The genre of music I perform (the American Songbook) is kind of engraved into Christmas,” says the jazz crooner. “When you think about Christmas music, it’s really the only standards we have left in modern popular music and that just happens to be in the genre of jazz…I’m so happy to be able to take this music I grew up with and share it with everyone from lifelong fans of Christmas music to future generations just now discovering the songs.”
60
Aeolian Hall
Price
$40 Advanced $45 Doors
Event type
Genre
Sold Out