Music

Pavlo
NOTE TO TICKET PURCHASERS:
CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS Pavlo, a true World Music Artist returns from filming his 4th PBS TV Concert Special - Live in Santorini, Greece. Pavlo will be joined on stage by his world class band and very special guests. Enjoy an evening of Mediterranean guitar and Imagine you're on the island of Santorini for a few hours as you enjoy this Feel good concert with Pavlo’s signature blend of Spanish/Greek/Rumba/Flamenco music. OPA !!!!
60
Aeolian Hall
Price
$45 Advanced $50 Doors PLEASE SEE CURRENT COVID POLICY BEFORE RESERVING SEATS
Event type
Genre
SÉAN MCCANN

The Shantyman Sings for the Saint:

A Celebration of Irish Music with Séan McCann of Great Big Sea
  SÉAN MCCANN is a founder of the iconic Canadian band Great Big Sea and an Order of Canada recipient for his advocacy for people living with mental health and addiction issues. He has spent the past ten years touring the country singing and sharing his story with front line workers, teachers, students, patients, inmates, veterans, and anyone who has been affected by addiction or abuse. Séan was born with a love for traditional Irish music and you can hear it’s influence in his Great Big Catalogue and even more so in his recently released SHANTYMAN. Music is medicine and a song is never more powerful than when it is sung with a friend so join Séan for an Irish Singalong and skip the hangover this year.
60
Aeolian Hall
Price
$35 Advanced $40 Doors
Event type
Genre
An Evening with Ron Sexsmith
At 56, Canada’s foremost well-heeled troubadour has made a most unlikely discovery: domestic bliss. All it took, it turns out, was leaving the city he loved. Following 30 years as an emblem of Toronto’s west end, Ron Sexsmith reluctantly uprooted to the serene hamlet of Stratford, Ontario, and the melodic, playful, theatrically vivacious Hermitage came gushing out. “Almost immediately after arriving here I just felt this kind of enormous stress cloud evaporate and all these songs started coming,” recalls Sexsmith. “I’d walk along the river every day into town and feel like Huckleberry Finn or something. It had a really great effect on my overall state of being.” This new zen can be heard from the first moments of Kinks-esque album opener, “Spring of the Following Year,” as the serene sound of birds situate the listener into Sexsmith’s state of grace. “We'd moved in the winter time and I was imagining how pretty it was going to be in the spring,” he explains. “We have this sort of idyllic kind of existence -- we have bunnies in the yard and are surrounded by trees on all sides, so we get tons of birds. Every morning I hear these Cardinals and we had a duck in the yard; I'd never really noticed birds in Toronto.” It’s not like he was planning to write his 16th long player as soon as he arrived, he adds. After all, Sexsmith was already quite busy turning his first novel, Deer Life, into a perspective musical. But when melodies as infectious as the Chi-Lights-inspired “You Don’t Want to Hear It” or the ear-worm inducing “Lo and Behold” entered his mind, he had to get them on record. Adding his signature mischievously astute word play (in “Dig Nation,” for example) to ground the album firmly in the Sexsmith oeuvre. Even the album’s title is a coy subversion of the 15 time Juno nominee’s own expectations upon arriving in Justin Bieber’s hometown. “I felt I'd reached the age where I could be a hermit finally, but it didn't really work out that way,” he laughs. Further reflecting Sexsmith’s new confidence, Hermitage is the first album on which he played nearly all the instruments, an idea he credits to producer and longtime drummer Don Kerr. “Don said ‘Why don't you make one of those sort of Paul McCartney-type records?’ and it's like a light bulb went on over my head,” he says. “That had never occurred to me.” The result is the songwriter’s most self-assured collection, still charmingly subtle yet increasingly full of musical vigor, as on “Chateau Mermaid,” an ode to his own Stratford Graceland, or the surprisingly hopeful “Small Minded World,” (originally penned for the Adams Family film), in which Sexsmith croons, Oh now don’t feel blue ‘cos they don’t get you, you’ll win this small minded world. “I think it's a very upbeat album, lyrically,” he confirms. “It’s reflective of the sort of peacefulness that I'd recently felt. I'm getting more comfortable in my own skin.”  
60
Aeolian Hall
Price
$50 Advanced $55 Doors
Event type
Blackie and the Rodeo Kings 25th Anniversary Tour
NOTE TO TICKET PURCHASERS: CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS The pandemic emerged as Blackie and The Rodeo Kings marked their 25th anniversary as a band with the release of King of This Town. They plan to pick up right where they left off, writing and releasing more music and hitting the performance stage as often as possible. Originally, Colin Linden, Stephen Fearing and Tom Wilson came together to record what was supposed to be a one-off tribute album to the great Canadian songwriter Willie P. Bennett. The result was High or Hurtin’: The Songs of Willie P. Bennett. The band had no plans to make a subsequent album but something unanticipated happened. “When we play together and sing together as Blackie and the Rodeo Kings. Something magical happens. We haven’t asked ourselves what it is all these years and we’re not going to start now” as Stephen Fearing describes it. Recognizing this special chemistry and the resulting joy of creating music together has brought Blackie and The Rodeo Kings back to stage and studio again and again. King of This Town is the band’s ninth release. “After each album, we are never certain we will get together to make another, but then something will happen and we are reminded of the joyride that is Blackie,” explains Tom Wilson. Twenty-five years in, while they still spend most of each year working on their individual projects, Blackie and the Rodeo Kings has organically evolved into one of the finest roots-oriented bands in North America. Tom Wilson sums up the Blackie and The Rodeo Kings journey. “25 years later, we’re still digging in for the sweet spots. Making friends with the ghosts of poets and harmonizing with the voices in fields and swinging for the fences”

COLIN LINDEN

Including every Blackie and The Rodeo Kings album, Colin Linden has produced over 100 albums. He has played as a guest musician on countless recording sessions. There are 159 pages of album credits that feature Colin Linden contributions listed at the collector site discogs.com He has played an integral role in the contributing songs and music direction to film and television. Colin served as the musical director for the live touring the cast of Nashville that featured the stellar Blackie and The Rodeo Kings rhythm section of John Dymond (bass) and Gary Craig (drums). His latest solo work was actual a duo release with Luther Dickenson entitled “Amour” on Stony Plain Records. Colin lives in Nashville. Colinlinden.com

STEPHEN FEARING

Stephen Fearing has been doing what he does best - Travelling. In 2016, Fearing moved back to Victoria BC where his career began on the West Coast in 1988 with the release of “Out To Sea”. Aside from moving across the country, has been a busy year with solo shows across Canada and quietly building a solid following in Europe and The UK. He has completed his 13th solo album “The Unconquerable Past” Stephenfearing.com

TOM WILSON

Last year Tom Wilson released his 4th album under his nom de plume LEE HARVEY OSMOND. The Album titled Mohawk references his journey and the story of his best selling memoir “Beautiful Scars” (Penguin Random House). He is focused on a follow up book and painting for his next art show. TomWilsononline.com  
60
Aeolian Hall
Price
$42 Advanced $47 Doors PLEASE SEE CURRENT COVID POLICY BEFORE RESERVING SEATS
Event type
Genre
Digging Roots

Digging Roots are a Juno-winning husband and wife music duo, Raven Kanatakta Polson-Lahache and Sho-Shona Kish, whose style blends folk-rock, pop, blues and hip hop with the traditional sounds of Indigenous music. Digging Roots has collaborated with Indigenous music giants like A Tribe Called Red, Kinnie Starr, and Tanya Tagaq.

Sho-Shona is Anishinabe, from Batchewana First Nation, but grew up mostly in Toronto. Raven is Anishinabe and Mohawk, from Winneway, Quebec, a small reserve where “everyone knows your name”. Raven and Sho-Shona both ended up in Ottawa, where they met in 2004. Raven’s family relocated to Canada’s capital city when he was 14, and Sho-Shona moved there for school.

A friend tuned Raven on to a new musician in town, Sho-Shona, and suggested they meet. Raven looked her up on one of his visits home, and the two hit it off right away. After talking for hours, he accompanied her to an audition she had for a slot in a music festival. They spontaneously decided to audition as a duo and booked the slot, planting the seed that would grow into Digging Roots.

They came from different backgrounds, but as Indigenous people, they both had experienced the common oppression and systemic racism in some way or another, which is reflected in their music. And, they fell in love. Two years later, they released their debut album, Seeds. The following year they won the Canadian Aboriginal Music Award for Best Group. Their second album, We Are, won the Juno Award for Aboriginal Album of the Year in 2010. The duo released a third album in 2014, For the Light, and are preparing to release their newest album, The Hunter & The Healer, on which their oldest son, Skye, plays the drums.

Having both been raised by activist parents at a time when Indigenous activism was on the rise, their music explores and raises awareness of the social injustices that still exist today. “Our activism is kind of in the way that we live, more than anything. It’s built on how we live as a family,” says Raven.

“Walking gently on the earth and being very mindful of the kind of parents we are. And looking at what seeds we’re planting for the future. That to me is the most powerful activism,” Sho-Shona adds. Raven and Sho-Shona live in Barrie, Ontario with their two sons.

Sold Out
Blackie and the Rodeo Kings 25th Anniversary Tour
NOTE TO TICKET PURCHASERS:
CLICK HERE FOR CURRENT AEOLIAN COVID POLICY BEFORE PURCHASING TICKETS The pandemic emerged as Blackie and The Rodeo Kings marked their 25th anniversary as a band with the release of King of This Town. They plan to pick up right where they left off, writing and releasing more music and hitting the performance stage as often as possible. Originally, Colin Linden, Stephen Fearing and Tom Wilson came together to record what was supposed to be a one-off tribute album to the great Canadian songwriter Willie P. Bennett. The result was High or Hurtin’: The Songs of Willie P. Bennett. The band had no plans to make a subsequent album but something unanticipated happened. “When we play together and sing together as Blackie and the Rodeo Kings. Something magical happens. We haven’t asked ourselves what it is all these years and we’re not going to start now” as Stephen Fearing describes it. Recognizing this special chemistry and the resulting joy of creating music together has brought Blackie and The Rodeo Kings back to stage and studio again and again. King of This Town is the band’s ninth release. “After each album, we are never certain we will get together to make another, but then something will happen and we are reminded of the joyride that is Blackie,” explains Tom Wilson. Twenty-five years in, while they still spend most of each year working on their individual projects, Blackie and the Rodeo Kings has organically evolved into one of the finest roots-oriented bands in North America. Tom Wilson sums up the Blackie and The Rodeo Kings journey. “25 years later, we’re still digging in for the sweet spots. Making friends with the ghosts of poets and harmonizing with the voices in fields and swinging for the fences”

COLIN LINDEN

Including every Blackie and The Rodeo Kings album, Colin Linden has produced over 100 albums. He has played as a guest musician on countless recording sessions. There are 159 pages of album credits that feature Colin Linden contributions listed at the collector site discogs.com He has played an integral role in the contributing songs and music direction to film and television. Colin served as the musical director for the live touring the cast of Nashville that featured the stellar Blackie and The Rodeo Kings rhythm section of John Dymond (bass) and Gary Craig (drums). His latest solo work was actual a duo release with Luther Dickenson entitled “Amour” on Stony Plain Records. Colin lives in Nashville. Colinlinden.com

STEPHEN FEARING

Stephen Fearing has been doing what he does best - Travelling. In 2016, Fearing moved back to Victoria BC where his career began on the West Coast in 1988 with the release of “Out To Sea”. Aside from moving across the country, has been a busy year with solo shows across Canada and quietly building a solid following in Europe and The UK. He has completed his 13th solo album “The Unconquerable Past” Stephenfearing.com

TOM WILSON

Last year Tom Wilson released his 4th album under his nom de plume LEE HARVEY OSMOND. The Album titled Mohawk references his journey and the story of his best selling memoir “Beautiful Scars” (Penguin Random House). He is focused on a follow up book and painting for his next art show. TomWilsononline.com  
60
Aeolian Hall
Price
$42 Advanced $47 Doors PLEASE SEE CURRENT COVID POLICY BEFORE RESERVING SEATS
Event type
Genre
Digging Roots

Digging Roots are a Juno-winning husband and wife music duo, Raven Kanatakta Polson-Lahache and Sho-Shona Kish, whose style blends folk-rock, pop, blues and hip hop with the traditional sounds of Indigenous music. Digging Roots has collaborated with Indigenous music giants like A Tribe Called Red, Kinnie Starr, and Tanya Tagaq.

Sho-Shona is Anishinabe, from Batchewana First Nation, but grew up mostly in Toronto. Raven is Anishinabe and Mohawk, from Winneway, Quebec, a small reserve where “everyone knows your name”. Raven and Sho-Shona both ended up in Ottawa, where they met in 2004. Raven’s family relocated to Canada’s capital city when he was 14, and Sho-Shona moved there for school.

A friend tuned Raven on to a new musician in town, Sho-Shona, and suggested they meet. Raven looked her up on one of his visits home, and the two hit it off right away. After talking for hours, he accompanied her to an audition she had for a slot in a music festival. They spontaneously decided to audition as a duo and booked the slot, planting the seed that would grow into Digging Roots.

They came from different backgrounds, but as Indigenous people, they both had experienced the common oppression and systemic racism in some way or another, which is reflected in their music. And, they fell in love. Two years later, they released their debut album, Seeds. The following year they won the Canadian Aboriginal Music Award for Best Group. Their second album, We Are, won the Juno Award for Aboriginal Album of the Year in 2010. The duo released a third album in 2014, For the Light, and are preparing to release their newest album, The Hunter & The Healer, on which their oldest son, Skye, plays the drums.

Having both been raised by activist parents at a time when Indigenous activism was on the rise, their music explores and raises awareness of the social injustices that still exist today. “Our activism is kind of in the way that we live, more than anything. It’s built on how we live as a family,” says Raven.

“Walking gently on the earth and being very mindful of the kind of parents we are. And looking at what seeds we’re planting for the future. That to me is the most powerful activism,” Sho-Shona adds. Raven and Sho-Shona live in Barrie, Ontario with their two sons.

Sold Out
RiseUp TV Tour & Filming: Live Concert Recording

RiseUP TV is a documentary/travel journal TV reality show that has been gaining steam around the world since 2017. It is the brainchild of established music entrepreneur Mark Rosner.

RiseUP TV is introducing the world to the personalities, sights and sounds of artists of all genres and ages from Canada, the US, Mexico, Europe and Asia!

Imagine these artists touring together, going from city to city, performing and living together for one week! They are having their every move filmed for television, whether on the bus, at the hotel, or dealing with the unexpected ups and downs that occur while on tour in the current entertainment business!! This exciting concept is now a Documentary / Reality TV show!

The shows include many genres - Rock, Singer/Songwriter, Country, Folk, Pop and more! This means there will be something for every-one that will be coming to the shows or tuning in around the world to see the episodes when they are released.

[Best_Wordpress_Gallery id="26" gal_title="RiseUp TV"]

WELCOME TO THE AEOLIAN PHOENIX SESSIONS

The Aeolian Phoenix Sessions take centre stage… in the comfort of your own home. Every month we premier at least four productions recorded at Aeolian’s studios or in the artist’s home. The Aeolian Phoenix Sessions are intended to provide patrons with a cross-section of the music going experience. From classical to jazz, rock to country, and bluegrass to folk, the Sessions aim to bring music back into your home and heart. Interested in one show only? Trust us: you’ll like what you see. Try the Phoenix Sessions all month and experience a few productions that you might never have seen in person. Our goal was to reignite live music and get artists on stage, technicians behind the soundboard and our patrons on their feet listening to extraordinary talent in extraordinary times.

TERMS AND CONDITIONS

Membership to the Phoenix Sessions is $20 per month (automatically recurring) and you select the productions you wish to enjoy. Though membership renews automatically, patrons must validate their membership number every month to receive an access code for each new set of productions by email. This process is not automatic. Patrons will receive their first access code immediately upon registration. An access code is only good for one calendar month. Validation instructions are contained in the Membership tab on this page, in our weekly newsletter and in the monthly rollover announcement sent by the Aeolian Box Office. We do not have a multi-viewer pass. If you plan to safely watch with friends or family, please consider donating to further offset the costs associated with these productions. Tickets to individual productions are not available. If you do not intend to subscribe for longer than one month, refunds will not be provided to patrons who forget to cancel their membership or who have not read the terms and conditions: membership renewal is automatic every 30 days. This information is noted on every ticketing page, on event pages and marketing, on event posters and in our weekly newsletter. It is important to read information carefully before joining so as to not misunderstand how membership works. Upon registration and after monthly validation, you will receive a confirmation email including a link that you will use each time you wish to view a performance. Save that link… or follow instructions at www.aeolianhall.ca/phoenix to receive it again. Shows will be available on the date and time specified on Aeolian’s website.
Aeolian Hall
Price
$20 for a One Month Subscription
Event type
Genre
Ashley Pater
David Shawn
Tim Steinruck
Sarah Smith Trio
Argie Gudo
DustyMarcus
RiseUp TV Tour & Filming: Live Concert Recording

RiseUP TV is a documentary/travel journal TV reality show that has been gaining steam around the world since 2017. It is the brainchild of established music entrepreneur Mark Rosner.

RiseUP TV is introducing the world to the personalities, sights and sounds of artists of all genres and ages from Canada, the US, Mexico, Europe and Asia!

Imagine these artists touring together, going from city to city, performing and living together for one week! They are having their every move filmed for television, whether on the bus, at the hotel, or dealing with the unexpected ups and downs that occur while on tour in the current entertainment business!! This exciting concept is now a Documentary / Reality TV show!

The shows include many genres - Rock, Singer/Songwriter, Country, Folk, Pop and more! This means there will be something for every-one that will be coming to the shows or tuning in around the world to see the episodes when they are released.

[Best_Wordpress_Gallery id="26" gal_title="RiseUp TV"]

30
Aeolian Hall
Price
$20 Advanced $25 Doors
Event type
Genre
Ashley Pater
David Shawn
Tim Steinruck
Sarah Smith Trio
Argie Gudo
DustyMarcus
Matt Andersen

Unbridled joy springs eternal from Halfway Home by Morning. Recorded live off the floor in Nashville, Tennessee, celebrated songwriter Matt Andersen’s tenth album collects all the essential elements for a down-home ramble and shoots them through with enough electrifying energy to drive the rock ‘n’ roll faithful to simmer, shimmy, and shake. Over its lucky 13 tracks, he explores every facet of his sound—sweat-soaked soul, incendiary rhythm and blues, heartbroken folk, and gritty Americana— and binds them together with palpable heart, as the band leaves everything they’ve got on the sweet old hardwood of the Southern Ground studio, in the same spot that legends like Neil Young, Emmylou Harris, and Jerry Lee Lewis turned up the volume ‘til it couldn’t go up anymore.

Along with the infiltrating buzz of Music City putting its stamp on the record, the studio itself became like a second home for Matt and the band. He and bassist Mike Farrington would routinely kick back with a drink and just listen to the horn section reminisce about the players they’d shared the stage with, and the kitchen took on its typical all-important role as war room, the spot where meals brought the whole crew together to plot next steps. Sometimes it’s tension that shapes a record. But what Halfway Home by Morning offers is soul rejuvenation, looking outward at the anxious state of the world and offering a helping hand, or searching inward to clarify what really matters. And to make a record like that, with warmth and verve, you need to keep your comrades close and feelin’ right. “There really is nothing like listening back in the studio and everybody has the same smile on their face over what we’re hearing,” Matt says. “You can’t fake the vibe of musicians playing together, responding to the choices others are making in that moment.”

Of course, fake vibes were never a threat to Matt. The native New Brunswicker has proven time and time again, on stages everywhere from clubs to theatres, that he’s the genuine article. And Halfway Home by Morning is as honest and compromise free as anything he’s ever done. It stands apart, though, injected with that feelgood swagger that comes from everyone making a racket in the same room. “What Would Your Mama Say?” opens things up on with a slithering groove, introducing us to the velvet smooth backing vocals of The McCrary Sisters. Amy Helm joins the party to slow burn the place down on “Something to Lose,” a righteously tender duet that explores the long, scarred, and loving history of a relationship. “Gasoline” blazes appropriately with horn blasts and tambourine shuffle, as Matt urges all good people of the world: “Let’s start living and forgiving like we’re running out of time.” The acoustic bounce of “Long Rider” belies its road dog lament, pumping ragged soul like they’ve got just enough in the tank to get home. “Been My Last” is a devotional for the ages, with pedal steel sweeping in to burst your heart. And things finish on a relatively sparse, but overwhelmingly poignant note: “Quarter on the Ground (A Song For Uncle Joe)” recalls a conversation between Matt’s mother and uncle, as the latter wishes he could hear Joe’s voice over the phone just one more time.

It should come as no surprise that such a commanding performer, set loose on tape, has built a record that’ll make you dance uncontrollably, weep unashamedly, and fill up any dark spots in your soul with a blast of sonic light. Nearly two decades into his career, still armed with his signature room-shaking, heart-quaking voice, Matt Andersen can’t fail. Halfway Home by Morning is the sound of an artist doing what he was born to do—laying his soul bare using the music that can’t help but run through him. And doing it with more jubilation than he ever has before.

A powerhouse performer with a giant, soul-filled voice and commanding stage presence, Matt Andersen has built a formidable following the old-fashioned way: touring worldwide and letting his stunned audiences and new devotees spread the good word of his righteous tunes all over. And the world has indeed woken up and discovered him, helping him amass over 18 million views on YouTube. In addition to headlining major festivals, clubs and theatres throughout North America, Europe and Australia, he has shared the stage and toured with Bo Diddley, Buddy Guy, Greg Allman, Tedeschi Trucks Band, Randy Bachman, Little Feat, Jonny Lang, Serena Ryder, and more. Andersen nabbed the 2013 and 2016 European Blues Award for Best Solo/Acoustic Act, three Maple Blues Awards in 2012, and was the first ever Canadian to take home top honours in the solo/duo category at the 2010 International Blues Challenge in Memphis. Since the release of Weightless in early 2014, Andersen has received a JUNO nomination for Roots & Traditional Album of the Year, a CIMA Road Gold award, and eight Maple Blues Awards.

60
Aeolian Hall
Price
$45 Advanced $50 Doors
Event type
Dave Sampson

Dave Sampson writes heart on your sleeve folk/pop song’s, delivered with a captivating and authentic voice that could blow down a brick house. His knack for crafting simple ear-worms and his high-energy shows have been winning him fans from coast to coast. Collaborating with some of Canada’s top exports such as Classified, Alan Doyle, Donovan Woods & Neon Dreams as well as being chosen as one of five in Canada’s Walk of Fame emerging artist program, Dave has be working hard to solidify his position as one of Canada’s top emerging songwriters.

In 2019 Dave released his much anticipated EP "All Types Of Ways" produced by grammy award winning songwriter and producer Gordie Sampson. The project was recorded in Nashville at the Sound Emporium Studio and has already garnered multiple television placements in Canada and the US. In the same year Dave has also signed a publishing deal with Sonic Publishing (Kobalt) and has also signed with Paquin Artist Agency based out of Toronto.

In 2016 Dave's song "No Pressure" was sampled by Canadian Hip Hop icon Classified and released as his first single via Atlantic Records with Snopp Dogg. Since the release, the song went certified Gold in Canada.

"Heartfelt, energized and emotional, Dave Sampson has obvious natural talent as a Maritime singer-songwriter. Recommended for fans of Joel Plaskett, David Myles and Hawksley Workman. _"

- Grant Lawrence (CBC Music)

“Dave Sampson writes a great, heartfelt pop song and has a warm, inviting, laid-back style that will no doubt appeal to a wide cross-section of people. It’s not hard to imagine his music lighting up the radio and drawing crowds” – the Scope, St. John’s, NL

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Good Lovelies - Christmas Concert

This December, the Good Lovelies will be taking their annual Christmas show across Ontario and bringing their classic holiday songs, timeless winter selections, and original material to your town! Following 2020’s virtual Christmas tour, the band are excited to be performing for you in person and to help ring in the holiday season with friends and family.

Accompanying the Good Lovelies (Caroline Brooks, Kerri Ough and Susan Passmore) is a stunning backing band of some of Canada's finest musicians. As a six-piece, this band will have you tapping your feet, laughing, and singing along by the end of the show. This is a must-see concert.

The Good Lovelies first united in 2006 for a one-off performance and has since compiled a catalogue of studio albums, EPs, a live album and a Christmas collection. They have toured extensively across Canada, the US, Europe, UK, and Australia and have earned a JUNO Award (2010), a Juno Nomination (2012) and four Canadian Folk Music Awards along the way.

60
Aeolian Hall
Price
$45 Advanced $50 Doors
Event type
Genre
Sold Out
Ben Caplan - SECOND SHOW ADDED!

Ben Caplan is both the roar of the hurricane and the eye of the storm. He has an uncanny ability to channel both wild abandon and quiet introspection. His songwriting pulls from many diverse influences but both his music and his lyrics regularly draw from his Jewish heritage. Often mixing biblical imagery and klezmer inflected melodies, Caplan re-appropriates ancient sounds and themes with a decidedly contemporary twist.

Ben released his first studio album in 2011, and has spent the last ten years recording music and performing to ever growing audiences in music clubs and theatres around the world. For the ten year anniversary of his first release, Caplan has recorded a retrospective collection of stripped back re-interpretations of songs from across his catalogue. The album, entitled Recollection, will be released in October of 2021 followed by an extensive European and Canadian tour.

60
Aeolian Hall
Price
$35 Advanced $40 Doors
Event type
Genre
Terra Spencer

Windsor, Nova Scotian funeral director-turned-songwriter Terra Spencer discovered her passion for crafting songs while touring with country artist Ryan Cook, after being recruited as a backup singer in 2014 while scooping ice cream at a music festival. Since making her solo debut in 2018, she has charmed audiences in the Maritimes, Ontario, the UK, and Europe with deft fingerstyle guitar, gospel piano, butterscotch voice, and easy onstage conversation, making you feel knee-to-knee with her even in a room of 500. Her knack for telling intimate stories with heart and humour has caught the attention of Canadian musical mentors like David Francey and Ron Sexsmith, and she has become a sought-after studio vocalist and co-writer, leading a successful series of Words & Noise songwriting workshops in person and online. Terra's debut recording Other People's Lives was nominated for 2019 Music NS Americana Album of the Year, and she was selected by Dave Gunning to receive an Emerging Artist grant from the National Arts Centre in 2020. Her newly-released followup Chasing Rabbits, recorded at Sonic Temple in Halifax during quarantine, is a collection of very personal songs about family life and wildlife, leaving and longing, and the meaning of home. Set against the backdrop of the Canadian winter, the album features some of Nova Scotia's best players including The Bombadils and Bela Strings, with Terra in the producer's seat. Chasing Rabbits has received international airplay and quickly claimed spots on numerous lists from critics, DJs, and listeners of the Best Albums of 2020. Beginning in June 2021, Terra will be touring with a full band show celebrating the golden anniversary of the music of 1971 in theatres and festival stages across the province.